Snack of the Afternoon, 7/31/09: JOE JOE’S w/ PEANUT BUTTER

July 31, 2009
Does my depravity know no bounds?

Does my depravity know no bounds?

As my 9th grade European History teacher used to say, Necessity is the mother of invention. Working in an office, there are only x number of afternoon snacks to choose from. Sometimes, I choose to think out of the box and MacGuyver a special snack for myself, using whatever’s at hand. (Someday soon I’ll tell you the story of the MacGuyver’d rootbeer float– THAT was a triumph.)

Maybe I’m doing this out of order. I probably should have made regular Joe Joe’s my snack of the day first. Then I could have slowly introduced you to the concept of the peanut buttered Joe Joe.

Long story short: Joe Joe’s are the Trader Joe’s brand’s “healthier” version of Oreos (they come in other flavors that are less Oreo-like, but the chocolate ones are my favorite). I am not a big fan of the cream/creme filling, because as a kid I was told that the Oreo filling is lard. Even though I know that Joe Joe’s are supposedly healthy (I generally mistrust claims of nutritiousness), I generally scrape out the frosting. One fine day I thought, what if I replace the frosting? What if I replace it with PEANUT BUTTER?! Hence, today’s snack.

You might be wondering why the milk looks so funky. It’s soy milk, people. Slowly but surely, you are learning all of my secrets. I am a soy milk drinker, and proud of it. (Just a little vestige of my 2-month experiment with veganism, circa late spring 2005.)

Does anybody have suggestions for other wacky replacements? I want to snack on your anecdotes!

xoxo…

Snackerina

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Now We Know They Can Dance: SO YOU THINK YOU CAN DANCE’s Final 4

July 31, 2009
Look who made the Final 4!

Look who made the Final 4!

Looks like my tasty TV morsels are AMERICA’S choice as well. (This is quite a surprise because me and AMERICA don’t generally see eye-to-eye.)

How is everybody feeling about the Final 4? How exciting was it for Evan when he realized that he beat Ade to get into the Final 4? (RIP Ade, I loved you too.) (He’s not really dead!) It was like David slaying Goliath. Or like… the Little Evan That Could!

I’m so excited to see these four dancing all mixy-matchy next week. At this point it’s anyone’s game– they are all worthy of the crown.

xoxo…

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Tasty TV Morsel: Regina Spektor on THE TONIGHT SHOW WITH CONAN O’BRIEN

July 31, 2009
Isn't she lovely?

Isn't she lovely?

In case you haven’t heard, living in LA involves a lot of commuting. Everybody has different ways of coping with the driving. I tend to listen to music or “This American Life” podcasts. I also like to talk on the phone. (Don’t worry, those of you who are versed in California driving laws– I have a Bluetooth hands-free thingamagig.) Lately, I spend most of my driving-time singing along with Regina Spektor.

I don’t remember exactly how I stumbled upon Regina Spektor’s music, but I remember when: During the particularly melancholy winter/spring of my freshman year of college (so…approximately 2005), “Love Affair” and “The Flowers” were on a playlist that I would listen to on my iPod every night as I fell asleep.

After my sad spring passed and my iPod died, Regina went off my radar for a while. She came back into my life with a WOW when “Begin to Hope” came out in 2006. (PS ALWAYS buy the bonus tracks versions of her albums.) Then my computer died and took my iTunes with it (technology is really good at parting me from my favorite music), and once again Regina and I were on hiatus. (I have since rectified this problem and I’m listening to “Begin to Hope” AS I TYPE THIS.) (It’s coming from inside the computer!)

And now it’s 2009, and “Far” just came out, and I saw (500) DAYS OF SUMMER last night, which was rife with choice Regina songs. Special thumbs-up to the song “Hero” (500 DAYS… has a great soundtrack, but I didn’t love the movie… sorry!). The thing about most of her songs is that they start out sounding one way, and by the end they’ve progressed into something totally different (I don’t know the musical terms for all this, but I wish I did– I took music theory in high school, so I SHOULD know). And throughout, they’re LOVELY.

Right now I’m a little bit obsessed with “Dance Anthem of the 80′s,” which starts out really fun and pop-y (in a Regina way) and turns into something much more emotional. Actually, I’m obsessed with the whole album. A lot of the songs are infused with melancholy ideas and minor chords, which I guess hearkens back to Regina’s Russian roots. I grew up singing minor-chord songs in temple (you know, us Jews and our sadnesses), and I love sad music in general (my sister calls most of the music that I love “suicide music”), so I am all about her saddest songs. But there are also a lot catchy, fun songs.

Anyway… how am I supposed to describe music to you? This isn’t a music website! This is a website about TV and snacks, and I’m unfairly using a loophole to talk about music. What I really wanted to say was that Regina Spektor was on Conan O’Brien last night, and she was AMAZING and ADORABLE. I never realized how tiny she is! Her gray eyeshadow was really beautiful, and her eyes looked HUGE (in a good way). She was sitting at a GIANT piano (that’s the technical term)–seriously, it was at least ten feet long, maybe fifteen. Also, from one curly-haired person to another: Great hair!

Most notably, Regina is pint-sized. She looks like a Polly Pocket compared to Conan! (Which means she’s probably about my height, maybe taller.) (Polly Pocket was one of my favorite childhood toys.) I guess I was surprised because Regina comes off as such a big personality in so many of her songs. But as we all know (I hope) good things come in little packages.

I didn’t think I could love Regina any more, but I was wrong. I expect her to be soulful and edgy, and she was. What surprised me was the bubbly charm she emitted when Conan thanked her at the end. I have a feeling that she’s a really sweet person. (I don’t have any anecdotal evidence to support my theory. If you do, by all means chime in.) I recommend that you hit up the Hulu to see this performance. (And look up her music on the YouTubes or the iTunes. I’m not always a fan of her videos, but they’re artsy and unique– I can’t fault her for that.)

And also: Her lyrics are lyrical, as lyrics ought to be. Seriously, go listen to “Blue Lips,” or “Machine.” Any of them, really.

“It’s been a long time since before I’ve been touched/Now I’m getting touched all the time/And it’s only a matter of who/And it’s only a matter of when.”

(You know what’s been touching me? Your blog comments! Thanks, guys.) (Now I’m putting down this corndog.) (I don’t even eat corndogs!)

I really want to see Regina Spektor in concert. She was just here, and I knew about it but didn’t buy tickets, because I am dumb.

I’m sure I’ll be writing a similar post about Imogen Heap in August, when her new album is released and she (hopefully) hits the talk show circuit.

xoxo…

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Snack of the Afternoon, 7/30/09: COMMISSARY FROZEN YOGURT

July 30, 2009
The colors! The colors!

The colors! The colors!

On days when our set happens to break for lunch after the commissary closes, we buy out the commissary for half an hour, and the crew can take anything they want. Generally I just eat in the office, but today at lunch we were having a last-minute surprise mariachi birthday party (right…). Since I was in the comm anyway, I couldn’t pass up the opportunity to get free frozen yogurt. (I actually wanted to grab free sushi, free lemonade, free everything… but it didn’t feel socially acceptable to hoard half of the commissary.)

Unfortunately the machine had just been refilled, so I didn’t exactly get a robust amount of ice cream. (Yes, I interchange “ice cream” and “frozen yogurt”… deal with it.) The best way to describe the way the ice cream was coming out involves a sphincter, so I won’t go there. (Maybe I just did.) I made up for the lack of ice cream with the toppings. I know that rainbow sprinkles are essentially wax, but they’re so delicious to me!

Enjoy your last few hours before the sad inevitability of the SYTYCD eliminations.

xoxo…

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Dizzy Recap: SO YOU THINK YOU CAN DANCE

July 30, 2009
Evan and Kayla have soared into the Top 6. Can they make the Top 4?

Evan and Kayla soared into the Top 6. Can they leap into the Final 4?

Top 6 Performance episode, Season 5. Air date 7/29/09.

We open on Cat Deeley, the hostess with the most-ess. She’s wearing a simple purple/blue shift dress and her hair is down and straight. Tonight is not about looking at Cat! As if we need to be reminded, she tells us that one of the top six “will be crowned America’s favorite dancer” next week… “But they need our votes!”

Kayla looks really sexy in the opening name-call dance (love her dress!), and Evan is hipper than usual in a vest and a shirt with a blurry-looking pattern on it. But let’s be real, they all look great. I love Brandon and Ade’s understated style. It’s very thrift store chic.

On top of the always-present Mary Murphy and Nigel Lythgoe, tonight’s third judge is Lil C. He is famous for using big words to make very simple statements in very odd ways. Hoo boy, here we go. “Would you like to pontificate on the preferences of the population?” Cat asks Lil C, and how much do I love Cat? Now and for always.

Cat asks Mary whether she thinks the viewers have made the right choices. Mary answers that it was a shock when Janette left last week (and how!). She counsels Her Fellow Americans to take all performances into consideration, from the auditions through tonight, and vote from the heart.

Nigel’s advice to the competitors is that they bring their personalities out. Nobody is popping like Twitch, Joshua, Gev, or Benji did (that’s kind of funny, since the first three of that list WERE hip-hoppin’ poppers).

Nigel feels as if he hasn’t seen any stand-outs, in terms of the charisma factor. At the moment he thinks that people are voting on the choreography. The dancers have got to become stars or the public will vote for the routines over the people dancing in them. (Which… aren’t they supposed to be voting based on performance? I get what Nigel is saying, but it’s still confusing.)

First up, the guys (Ade, Brandon, Evan) do a routine with Sonya Tayeh. It’s a “Willy Wonka-esque” piece. Evan interviews that it’s, “Weird, dark, abstract, so… I’m feeling it. It’s fun.” I laugh when I hear that, because last week Mia said that Evan was perhaps not dark and twisted enough for Sonya. Evan also talks about surprising power in the throws and lifts. Ade interviews that it takes “all your energy to stop and hit the pictures” that Sonya wants to create. Sonya says that if the boys embrace their power, the piece will be unstoppable.

They dance to the song “True Romance” by She Wants Revenge. I love it—the moves are quirky and fun, and of course there’s a dark Sonya edge. I never knew that Evan had gymnastic skills before tonight—I’m not particularly surprised, but it’s cool to see him pull out another skill. The guys are like fabulous, glitchy Oompa Loompa robots. And they’re wearing purple and lightning bolts—awesome.

After it’s over, we find out that Brandon’s mom is here for the first time. Good thing he made it this far, or she would have missed out.

Lil C says that it’s been a “low key fantasy” of his to get Ade and Brandon in same routine (sexual, no?). He is “living vicariously through Sonya.” To Evan, he says, “Allow me to commend you for not getting swallowed by the dominant excellence of Ade and Evan.” Lil C is the King of left-handed compliments. “You stayed visible through the whole routine,” he says, and I know that he’s trying to say, “Good job.”

Mary is impressed because three totally different dancers did all of the tough moves in sync—high kicks, standing backflips… a lot of amazing stuff. Nigel says that Evan stood out because we’ve never seen him attempt stuff like this (I really wish Evan had gotten more contemporary, less ballroom… but I guess they all got stuck with a lot of rhumbas and waltzes). It’s a standard they couldn’t have achieved in past years.

Jeanine draws Ade’s name from the partner hat. She’s relieved because she wanted him. Ade’s “so much fun behind the scenes” (sexual), and Jeanine thinks he is the strongest partner. Ade loves Jeanine’s energy.

Their dance is a samba with Louis Van Amstel. Jeanine and Ade both interview that they know nothing about samba. Louis tells them that it’s not traditional samba. Jeanine says, “It’s suggestive, but still classy.” After a few clips of Jeanine falling, she admits, “It’s gonna be very sexy, but right now it’s kind of a catastrophe.”

The song is “Love Game” by Lady Gaga, and I’m glad they got a sexy song for a sexy style. Jeanine and Ade are rocking the purple… it’s a very purple night, and I’m totally on board for that. Jeanine is wearing barely anything at all, and a lot of tail-feathers. She looks amazing. The song makes me laugh because the words “ass” and “stick” have been blocked out. (I JUST figured out that “Disco Stick” minus some of those inner letters, is “Dick.” Was that the intention? Either way, HA!) The dance is fun and sexy, especially the lift where Jeanine has her legs wrapped around Ade’s waist. This and the boys’ dance got my Rewind-and-Watch-it-Twice Seal of Enjoyment.

Judgment time. Mary says that the first fifteen seconds were dynamic. When it got into the dancing it started to fall apart for her. Ade wasn’t rolling well enough, and it looked novice to her (to be fair, they knew NOTHING about samba before this week). To make it to the next round, Mary says they need to be hot with their look and their dance.

Lil C starts off my saying that Jeanine looks amazing. (Tell us something we don’t already know.) He was excited about this partnership, and says that they were, “Smashing universes into one another and hoping to get an explosion of excellence.” The dance fell short for him. He says that Ade was “frolicking.”

Nigel lectures Ade that he has to change your style and “get down” for this type of dance. He thinks that Jeanine was beautiful, and that she did a wonderful job. He says, “It’s probably easier for you than for a guy because of how you look, but you seemed terrific.” Ouch! That sounds awfully sexist.

Kayla dances her solo to The Fray’s “You Found Me.” I hate to admit that I like that song. (These recaps are tearing my street cred apart.) I didn’t feel like the solo had enough time to get the emotion totally ramped up before the clock ran out. I think that Kayla is a beautiful dancer, but she doesn’t always squeeze the best stuff into her solos in the time allotted.

Melissa and Evan draw a Tyce D’Orio Broadway routine. Melissa is excited because she thinks Evan has a great personality. Evan thinks Melissa has been a great partner to the other boys in all the dances so far.

Melissa interviews that she’s about the same height as Kayla, who wore flats with Evan. She worried because she’s going to wear heels, and it might be challenging. Two thoughts on that. First, do you really have to wear heels? Second, can we stop talking about Evan’s height already? Poor guy! If he didn’t already have a complex, he’s going to have one now.

The story of this dance is “get me to the church on time.” Evan oversleeps on his wedding day. Evan interviews that once again he’s dancing with a married woman, and now he’s marrying one. “Sorry, husbands of America.” Ha!

Evan is glad to get his own style with Broadway. Melissa interviews that Evan’s faces make her laugh. “Hopefully she’s not laughing at me, because that would hurt my feelings,” Evan says. Melissa reassures us that it’s a mutual laughter, but I don’t entirely believe her. I think that secretly she’s a little worried about partnering with Evan? But I can’t be sure.

Tyce calls Evan “the dream for this style.” “They need to have tons of fun with it.”

At the end of the video lead-in, Evan says, “I’m gonna go marry another married woman. I’ll see you guys later.” He is really a magnet for these married women.

Their costumes are sort of bedroom/lingerie, and it feels more like the morning after the wedding than the morning of. The song is also a jazzier version than the My Fair Lady standard that I had I my head. Overall, it’s really good. When it’s over, Cat says, “May I be the first to congratulate you,” as if they were just hitched. Oh, Cat.

Lil C says that he wanted to see Evan “shine and dominate,” and that he feels like Evan “didn’t take the helm.” (For this Lil C gets lots of boos.) “I expected so much because I know how amazing you are,” Lil C continues. “You danced and performed really good, but you could have aimed for excellence. It was an A, but let’s go for A+.”

“Okay…” Cat says. That pretty much sums up what everyone feels when Lil C critiques. For the record, an A is considered excellent, whether it has a plus behind it or or not. C, on the other hand, is average. (OH SNAP! Did I just burn Lil C? Maybe a Lil.)

Mary says that this dance could be getting Melissa and Evan to the finale on time. (Oh Mary, we love you, but put down your corndog. The wordplay is out of control.) Mary says that it’s hard to take Evan seriously in his underwear. She’s never seen “sock suspenders” in her life, and never wants to see them again. (Why are people always so freaked out by Evan’s potentially sexy moments? All of the other guys have dance practically naked, without any ribbing.) Melissa hasn’t taken a wrong step, in Mary’s eyes. She’s “still cooking.”

Nigel tells Melissa that she has inspired many ballerinas, because they’re seeing more ballerinas than usual at their season six auditions. However, none of the girls they’ve been seeing are able to adapt to other styles like Melissa can. Nigel doesn’t think that this piece was especially demanding for Evan in a technical sense—but it required a lot of personality, and Evan brought it.

Ade dances his solo. I really like his dancing—obviously he’s amazing— but his solos always feel similar to me. “Windowdipper” is still my favorite.

Kayla is partnered with Brandon. He’s excited because he wants to get on the Hot Tamale Train with her. Stacey Tookey choreographs their dance, which is about a mistress who doesn’t have the strength to leave a married man. Kayla interviews that dancers are actors telling a story.

The song is “All I Want” by the Ahn Trio. I feel like we’ve heard a lot of Ahn Trio songs this season. The dance has a lot of lovely sadness to it, and their movement is so beautiful. Kayla and Brandon make a great couple.

Lil C says that for first time Kayla has been equally matched. Mary reassures Brandon that he’s first class on the Hot Tamale Train. Kayla has never taken a wrong step for Mary. She’s perfection on the dance floor.

Nigel points out that the girls have had it tough this season with their dance stories. Randi was butt-stalked and pregnant. Kayla has been an addict, a strangled zombie, and an abused mistress. “The girls are going to need therapy!” he jokes. He wishes that Brandon and Kayla been together sooner for chemistry, but says that they couldn’t have done better together tonight.

Melissa dances a solo to “I Put a Spell on You” by Nina Simone. Someone holds a sign that reads, “Cat says, ‘It’s Melisser!’”

Before each dance in the second round, the dancers talk about what it would mean to them to be in the finale. Obviously, it means a lot to all of them, but this is just one of those things they always do. Vote for me!

Jeanine says that being in the finale would be “the most unanticipated success.” She tried out on a whim, and this is more than she knew she was capable of. Self esteem win!

Jeanine and Ade have a hip hop routine with Tabitha and Napoleon—3rd time for Jeanine, 2nd time for Ade—about friends kicked out of their apartment. Frustration and eviction. The life of an artist!

We see them practicing a “human double Dutch,” and Ade interviews that Jeanine is dangerously close to his “family jewels.” (Is he not allowed to say “balls?” They just bleeped “ass.”) Jeanine is worried that she’ll fall on her face in front of “ten to twenty million people… No big deal!”

Is Jeanine wearing special junk-in-the-trunk pants? The routine is well danced (and Jeanine looks SEXY), but it feels a little gimmicky with all the boxes.

Cat asks Lil C if the dance was “buck.”

Lil C says, “I wish moving were always that fun. I’d relocate every day.” They danced it “way better than I thought you were (would?).” King of the Left-Handed Compliments. Seriously.

Getting back into his WTF-ery, Lil C says that Ade has a “dirty groove…earthy.” It’s hard for me to grab everything that Lil C says, but it says something to do with the fact that Ade doesn’t always “utilize” his groove, but “his time he sat in it [and] pulled Jeanine down into the depths of the dirt… it was buck.”

“The short answer was… it was buck,” Cat says. Love you, Cat.

Mary apologizes first because she forgot to say that Jeanine was terrific in the samba. Nigel quips that he “thought [Mary] had been taking lessons from [his] wife’s divorce attorney.” Burn! Maybe not a good idea to say stuff like that on TV? Mary seems shocked by it.

Mary picks up her corndog and says that she has a feeling Jeanine and Ade wont be “evicted” after that performance. She’s glad Ade found a way to get his bum down—it was up too high. Obviously the dance is much better than it was in rehearsals, because Nigel seems pleased and surprised by the very recent improvements.

Brandon dances his “O Fortuna” solo. You may remember it as the show-stopping piece he tried out with. Cat jokingly calls it “Just average.” (Is that a burn on Lil C?) The judges give Brandon a standing ovation, and Nigel calls it “one of the best solos we’ve ever seen on this show.”

Now Evan and Melissa talk about what it would mean for them, to get into the Top 4.

Coming in, Melissa knew she was oldest person ever on this show, and the first classical ballerina. She feels like an underdog, and she wants to win. Evan interviews that it’s in everyone’s grasp… they’ve got to bring it and take the “final leap” to Top 4. I like the “leap” metaphor, because they are all very capable of amazing leaps.

Evan and Melissa draw the “dreaded quickstep” with Louis van Amstel. Melissa says that people don’t appreciate how hard it is. At one brief point during the rehearsal tape, it sounds like the theme to “The Muppet Show” is playing in the background. Louis tells Evan he needs a six pack, and needs to get stronger (poor Evan!).

Louis tries to create the illusion that Evan is taller, and Evan calls him a “dance magician.” I bet he can’t wait to go back to his real life, where he isn’t known as “the short guy.” (I can see via my blog that people are constantly googling “How tall is Evan?” America wants to know!)

Evan looks dashing in his suit, but it’s really shiny. What is it made out of? Crushed velvet? Garbage can liners? Evan does a long death spiral with Melissa. He does a commendable job, but it’s an obvious strain. Roomie is gushing over Melissa’s dress. The costumes are hearkening back to the 1920s flashbacks on “True Blood” this week (scarring memories).

At the end of the dance, Cat and Melissa bend down so Evan can look tall. Lil C says that Evan danced bigger than ever on the show (for him). I don’t think he’s being completely fair, and I wouldn’t call this Evan’s absolute best dance. (I think Lil C just wants the audience to be on board with him, for once. The booing starts to hurt!)

Mary says that they all know this is one of the toughest dances, and that everything began to crumble as it went. She’s a little disappointed because this did not live up to her expectations.

Nigel ribs Melissa for acting like she’s an old woman because she’s twenty-nine. He jokes (although at first it’s not clear that he’s joking) that Melissa is to this show what Cloris Leachman was to “Dancing with the Stars.” “You’re young and talented,” Nigel reminds her, even though thirty is fairly old in the dancing world. Although this was “not one of the best routines tonight,” Nigel calls them two of the favorites.

Nigel’s statement is a little WTF for me, because I definitely feel like Evan and Melissa are the underdogs, and have been all along. Also… Broadway and Quickstep? It feels a little bit like sabotage to me, since those are traditionally not vote-pulling routines.  Maybe I’m a paranoid crazy-person, but I refuse to believe in the luck-of-the-draw on shows like this. I mean, come on, as if Melissa randomly drew that Romeo and Juliet pointe ballet routine.

Jeanine dances her solo to “Feedback” by Janet Jackson. Topical! It’s a sexier solo than usual. I love her purple top. It’s all about the purple tonight! Jeanine’s competition experience serves her well because she knows all of the impressive elements to put in a solo—the spins and leaps that really give it a wow-factor.

Evan pulls out all the stops in his final solo, starting it off with a series of flips. Nice! And then he does fouettes—someone’s been studying Jeanine’s solo playbook. He ends it with a great big leap. A leap into the Top 4? We’ll see…

What would being in final 4 mean to Kayla and Brandon? It would prove to Brandon that he’s a good dancer. (Um, excuse me? Shouldn’t getting into the Top 20 have proved that? He’s a good dancer, even if he does get out tomorrow.) This experience has helped build Brandon’s self esteem. (Wow. He must have really low self-esteem. Sad.)

Kayla interviews that being in the final 4 would mean everything to her, because she worked so hard every step of the way. True story.

Brandon and Kayla get Disco with Doriana Sanchez. As soon as they walk in, Doriana has Brandon on the floor, doing push-ups. Kayla interviews that this is not a regular disco, but more like a circus dance. It’s “so hard” (heh).

They dance to “Disco Heat” by Sylvester. Kayla dressed like a disco ball. Actually, they both are. They do a “double death drop,” where they take turns dropping each other into a spiral. It’s a solid dance, but it isn’t my favorite disco of the season. I miss Janette!

Lil C weighs in that “being out of your comfort zone represents unfamiliarity and also darkness. You have to befriend the characteristics of your challenge. If you see the music with your ears, there is no darkness. I saw no darkness in this routine.” (Or something like that.) And also, “You have to get in between those instruments, into the pocket.” Since Brandon has done disco once before, Lil C thanks him for “coming for Kayla” (heh).

Mary says, “Holy smokies!” She thinks they hit a home run tonight. Also, FYI, she says that if Brandon messed up the lift, Kayla would have had “head trauma.” Reality check! Mary stands and yells at Brandon for having self esteem problems. (Because yelling at people always cures their insecurities.) She tells him he’s a Hot Tamale, and that he has to believe in himself. (If he gets off tomorrow, we can ship him off to the “More to Love” Manse of Self-Esteem.) Kayla is still on the Train (of course).

Nigel says, “To be frank, it’s easy to hype an audience.” He proceeds to runs around the judges tables, screaming like a “lunatic.” I guess that’s a seal of approval.

“Nigel, for goodness sake! Take the tablets!” Cat jokes. “What have I told you? Take the tablets!”

Dear Everybody, I still don’t understand the fox.com/pause commercials. Please help.

Last dance: the girls dance with Sonya Tayeh. The theme of the song is “superheroes.” Sonya wants to show off their strengths.

Jeanine likes idea—“you can jump into a phone booth and fly out in a colorful unitard.” (Too bad Randi is gone. She would have been all about a colorful unitard.)

According to Sonya, Kayla is Storm, Jeanine is Wonder-Woman, and Melissa is… Buttercup? Is Buttercup a real superhero? Doesn’t sound very tough. Melissa should probably be Mystique, or Cat Lady. (Oh wait, she’s married.) (Sorry, terrible joke.)

During rehearsals, Jeanine smashes Kayla in the face. It’s an accident, right? Yes it is, but wouldn’t it be easy for one dancer to sabotage another? Whoops, I dropped you. Sorry about the head trauma!

Just before the dance starts, Jeanine interviews that “strong, powerful women” are superheroes. Girl power! I like it.

Of course, the costumes and makeup are fierce. What are superheroes made of? Long, strong legs, for starters. The camera seems to find Kayla and Jeanine much more than Melissa. I have to say, though—I think I preferred the all-boys routine.

Lil C makes a joke about Sonya running superhero high school for girls. In a weird way, it’s true. He says that “cohesively” is one of his favorite words, and adds that it means “together.” “People know what it means, Lil C,” my roommate says, annoyed.

Lil C was more enigmatic than usual tonight, and kind of a party pooper. He says that he needs “more than amazing right now.” Also: “You gotta eat, the stage is your bowl.” I think he implies that some girls are dancing down to accommodate others, but I’m too busy deciphering his initial statements to fully comprehend everything that gets dished out.

Once again, Cat handles the clean-up. “I’m not quite sure what you said, but I know I’m starting to get hungry,” Cat chirps. Does she mean that the bowl reference made her hungry, or that the show is almost over and she’s ready for a snack? Probably both.

Mary calls Lil C on his bull. “What’s after amazing?” She thinks that the girls are the epitome of strong, versatile, flexible, sexy, talented dancers. Kayla stood out for getting slightly tougher moves. Mary laments that they didn’t have this dance under their belts last week. They could have taken it to Comic Con.

“Saving the world one convention at a time,” Cat says. If someone isn’t piping this into her ear, she’s a genius.

Nigel: “Is it a bird? Is it a plane? No, it’s an arabesque!” He loves the girls’ chemistry. In his mind, no one person stood out. They were all fantastic. Nigel points out that each costume has personal touches. Melissa’s has a little ballet skirt. Kayla looks slim (that’s not exactly news to us). To Jeanine, he says, “Wow. You can’t tie down talent.” Turns out he’s complimenting her chest, because the bodice of her top is all laced up. Oh, Nigel. You’re lucky you’re aged and British, or you’d get a lot more flack for saying things like that to an 18-year-old girl.

Roomie has a feeling that Melissa and Evan are going home, and I can’t argue with her. At this point it’s anyone’s game. I would like to see Kayla and Jeanine in the Top 4, but I’m more on the fence about the boys.

All will be revealed tomorrow night…

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Ketchup/Catch Up: PARTY DOWN

July 29, 2009
The odd couple.

The odd couple.

I started watching “Party Down” because one of my friends who has Starz and shares my love of all things Paul Rudd-related (see the RANDOM COOL FACT) said, “You have to watch this show.” (So far in the Ketchup/Catch Up posts, Paul Rudd is 2-2. Is he a part of everything cool?) (Let’s get Paul Rudd on “30 Rock!”)

Also, I started watching because Ken Marino is in it. I am not a hardcore Ken Marino fan (nor have I seen him in anything hardcore, lest you confuse my meaning… on second thought, see #3), but I did see THE TEN (“It’s just a goof!”) and I watched the second season of “Reaper” just to see the Ken Marino/Michael Ian Black cameos. So… I guess you could say I’m regular-core Ken Marino fan. (I haven’t seen any of “The State” series yet… forgive me. Maybe it will be a future Aftertaste.)

But you’re not here to talk about “The State.” You’re here for the party: “Party Down.” Season one has aired and season two is in the pipeline (as far as I know). There are 10 episodes in season one and it’s a half-hour comedy, so you’ll be caught up in no time! (My ulterior motive in creating this site is that I want people to talk about these shows with me! Or at least quote the hilarious lines with me.)

PREMISE: Several out-of-work actors waiting for fame and fortune work as cater-waiters at various parties, under the supervision of recovering addict (maybe he was an actor, too? I can’t recall) Ron (Ken Marino), whose dream in life is to open a Souper Crackers franchise (think Souplantation). In the pilot, Ron’s old co-worker Henry (Adam Scott) quits acting and returns to the Party Down catering company as a bartender. (He garnered fame as the spokesperson for a popular beer ad, but it ruined his acting career.)

Other employees include snide/nerdy wannabe screenwriter Roman (Martin Starr), aspiring comic actress Casey (Lizzy Caplan), dude-bro actor Kyle (Ryan Hansen), and oddball “seasoned” actress Constance (Jane Lynch). Each episode takes place during one of the parties they cater.

7 REASONS TO WATCH

1) If you have ever been an aspiring writer/director/actor in Hollywood, and/or worked in catering, and/or had a strange or somewhat incompetent boss, you will enjoy this show. (All of the above are yeses for me.)

2) The cast is fantastic. Come on, anything with Jane Lynch is a must-see. Not to mention the cameos: Jennifer Coolidge, Ken Jeong (yeah, the guy who popped out of the trunk in THE HANGOVER), Kristen Bell (tons of people from “Veronica Mars” are on it, since Rob Thomas created both series), Steven Weber, Marilu Henner, Rick Fox, Ed Begley, Jr… the list goes on and on.

3) The hijinx. In the episode where they cater a Conservative College Caucus (ha), an attempt to pass off a script leads to an accidental flag-burning. Ron is tapped to try out for a porno AT at porn industry party, and has probably the most awkward audition in history. I could tell you more, but then I’d spoil everything for you.

4) “Are we having fun yet?” It’s the beer commercial catchphrase that tortures Henry, and people always bring it up at the most soul-crushing moments (with the exception of the mafia party, where it gets him out of a pinch). I try to use it to tap the irony of the show all of the time, but people think I’m just being a gung-ho grandparent about things.

5) Jane Lynch’s “never give up” story. I could preface it with some sparkling words, but it’s really better if you watch it. (That is true of THE WHOLE SHOW.) Come to think of it, everything Constance says is hilarious.

6) The parties (they’re also the episode titles). A sampling: Pepper McMasters Singles Seminar. Sin Say Shun Awards After Party. Taylor Stiltskin Sweet Sixteen (her dad is a bastard producer and her cool friends don’t show, amongst other disasters). Celebrate Ricky Sargulesh (he’s the mafia guy). James Rolf High School Twentieth Reunion (turns out that it’s RON’S reunion, and he desperately wants to prove that his life is on track).

7) Ron’s freak-outs. He tries to hold it together, but sometimes he falls off the wagon (or worse). At one point Henry pulls Ron out of the dumps by giving him this deep spiritual mantra: “Don’t stop believing.” (That’s right. Journey.)

RANDOM COOL FACT: Paul Rudd is one of the writer/producers. (And Fred Savage is a director/producer.)

ALL RIGHT, I don’t know if I did enough to sell this show, but I implore you to check it out. “Are we having fun yet?” No, because you haven’t watched “Party Down” yet.

xoxo…

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Snack of the Afternoon, 7/29/09: TRADER JOE’S PITA CHIPS

July 29, 2009
So delicious. You have no idea.

So delicious. You have no idea.

If you have not tried these pita chips, your life is not complete. Get your lazy butt off the couch, drive to Trader Joe’s, and buy yourself a bag of these chips. Actually, buy yourself about fifteen bags. They’re addictive. (And they contain sea salt, which is the closest I’m getting to the beach today.)

I’m working on a little something for you, in the Ketchup/Catch Up department. I watched the show a few months ago, so I feel like a rusty spoon. But I’m trying.

Are you pumped for tonight’s SYTYCD? Go out and get yourself some chips! Nothing makes me feel better (read: terrible) about myself than sitting around eating snacks while I watch featherweight dancers prance across my screen. (Actually, “The Biggest Loser” is right up there… me: eating ice cream, person on screen: losing weight until they are thinner than me.)

xoxo…

Twitter @dailybinge / Facebook fan The Daily Binge


Big Sexy Recap: MORE TO LOVE Premiere

July 29, 2009
Luke chats with a few contestants, including Bonnie (far left).

Luke chats with a few contestants, including Bonnie (far left).

“More to Love,” Episode 1. Air date: 7/28/09

After last night’s “Dating in the Dark,” I wasn’t sure if I could watch and/or recap another image-conscious dating show tonight. I figured I would watch “More to Love” to see some big, beautiful women (not crazy-big, just not twigs) being adored. Maybe a little romance-for-normals would boost my crappy mood.

As I watched the first montage, I realized that hearing women talk about their struggles with love and weight is a fairly cathartic experience, especially for anyone who has been there.

“I want someone who’s not embarrassed to be with me.”

“Now I feel like I can be loved.”

This is sad! There is nothing wrong with these women!

(Sob! Get out your tissues, everybody. There will be tears.)

Why are love, happiness and weight tied so closely together in our society? To paraphrase one of my wise bosses, “The idea that only skinny, pretty people find love and happiness is total bullshit. Go to any mall in middle America, and you’ll see it isn’t true.”The problem is, a lot of women seem to think that only skinny, pretty people (and by whose standards?) DESERVE love and happiness. That’s a trickier fish to fillet.

As Roomie says, “There’s an ass for every seat.” But what about the people who are too scared to sit– the people who stand in the corner looking wistfully at the seats? (Maybe thinking  that their asses are too big for the seat? Sorry! Sorry, no more jokes. Life is hard!)

I decided to recap this show because I think it teaches a major lesson in the importance of confidence—it’s a very attractive trait, and it comes from within. (The same goes for happiness.) This show also gave me a nice feeling of, “Oh God, I’m not alone in sometimes having these thoughts and feelings.” I think that anyone who has ever had self-esteem issues—especially size-related ones—can identify.

And now for the show:

Before we meet the women, we meet 26-year-old Luke Conley, the show’s bachelor. Luke voice-overs that he likes voluptuous, curvy women. He’s had his heart broken because of his size, and he hasn’t allowed his hang-ups to keep him from reaching his goals. Even though he’s from California, he has a sort of Southern Gentleman vibe about him. And ladies, he’s handsome.

Luke has a dog! He likes to go to the beach, and he isn’t embarrassed to walk around with his shirt off. He says that he wouldn’t want to be with a girl who’s always obsessively dieting. (I don’t know any guys who WANT to date an obsessive dieter, but I know what he means. And furthermore, does he like snacks? Swoon.)

We see footage of Luke having a barbecue with the aforementioned dog and several of his friends. That’s some serious meat he’s barbecuing, and he’s cutting it with a GIANT KNIFE. I’m not sure what animal that meat came from, or if it’s cooked enough to eat. But Luke’s the grillmaster. I won’t back-seat grill.

Luke says that he wants to experience an overwhelming love. He’s had a hard enough time getting one woman to go after him, and now he’s really pumped to meet twenty girls who are all interested in him. “I’m ready to meet the girl of my dreams,” Luke says. “Bring it on!” (I have a feeling that we’re going to hear that phrase many more times throughout the season.)

“Plus-size model” Emme is the host of the show. She looks lovely, by the by.

As he waits for the girls to arrive, Luke says that he thinks that all women are beautiful. He doesn’t have a type—it’s more about how she carries herself, and who she is as a person. (Really? What a cool concept. I hope it goes viral!) (Like swine flu.)

As Luke greets each girl, we learn their names, ages, occupations, and… height and weight? “They put up their height and weight for all to see?” Roomie gasps. “That seems a little unnecessary… Although I’m curious.” Agreed.

When the girls arrive and tell their stories, it’s a symphony of :’( . I can tell that this show is going to open the waterworks.

I don’t really have a whole lot to say without potentially stepping on a minefield of “I didn’t mean it that way,” so I’m just present a lot of dialogue, verbatim. (In about two paragraphs I will break this vow and start commenting, I’m sure.) Maybe this show is exploitative, maybe it’s inspiring. Bottom line, it’s sad to hear so many lovely young women (we’re talking twenty-one, twenty-two year olds) deliver such heartbreaking statements about their lives.

Heather is already crying in her on-screen interview: “I need to know that love is possible.”

Bonnie has an adorable Diablo Cody vibe. She describes herself as a “chubby, fashionless girl that bakes cookies with her mom,” but I think that Bonnie is definitely underselling herself– she has style. Case in point: she’s a makeup artist. Cool!

Amanda asks Luke if he’s ready to date multiple girls. She’s never had a boyfriend.

So young, and already some of them seem so sure that this is their only chance at love. Sad! I don’t think I’ve ever seen a crop of girls so young on a dating show. Then again, Luke is twenty-six.

Michelle looks really familiar to me (we’re from the same area, so it’s possible I knew her growing up). She talks about how you can’t get anywhere in life unless you love yourself. “I’m gonna buy the clothes that fit me now and enjoy life now,” she says, and that gets me weepy because I have had that epiphany before. Ugh, I need to put this corndog down. (I don’t even eat corndogs!) But if you’ve been there, you know that it can be really hard to commit to liking yourself.

Did I mention that almost all of the girls are crying in their introductory clips? Also, did I mention that Luke is being incredibly  kind and welcoming to all of the girls? He radiates warmth. He compliments each girl, and makes them all hum with this “I feel special” vibe. He doesn’t come of as a guy who likes “big girls” so much as he seems like a person who really wants to find a meaningful connection with women who are often overlooked, because he knows the feeling.

As we go into the first commercial break, Roomie points out how sad it is that they’re all crying when they talk about love. We also agree that most of the girls are really pretty. Why can’t they get a break? Why is love so traumatic?

After the commercial, Emme asks Luke if he’s “ready for more” girls. Oh gosh—they’re going to use the word “more” all the time on this show, aren’t they?

Luke meets more girls…

“Plus-size model” Anna says, “I know it’s stupid to say, oh I don’t think someone could love me for who I am, but I’ve never met anyone like that… it’s hard. Love’s a battlefield.”

Natasha is a rocket scientist. She says, “I don’t understand why our society thinks that appearance is the most important thing. I would think that intelligence, or— I don’t know, how nice you are—should be more important.” True!

What with Luke’s kind and heartfelt greetings, the girls who are already inside the house are gushing about him.

Green-dress Melissa (there’s also a M-A-lissa in a blue dress) has never been on a date. “Every time I liked a guy, he always went to a skinnier girl.” She lights up with excitement when Luke compliments her eyes.

Danielle has only been on three dates, and has never had a second date. She interviews that she sees her weight as protection—a man will love her for her, instead of just her looks.

Tali is from Israel, and is wearing a gorgeous flowing purple dress. She wants to prove that love doesn’t have a shape or size. Honestly, based on the high confidence and amazing looks, I’m kind of surprised to see her here. (Also, it’s interesting to note that she was NOT raised in the United States, and seems to have MUCH more confidence about her body. Just sayin’.)

Kristian is full of verve. She interviews that guys love the skinny bitches, and she doesn’t know why. (AMEN to that!) She likes the junk in her trunk! She’s not going to change herself to get a man.

Arianne and Luke exchange warm hugs. She seems really nice, but at thirty-seven she might be too old for Luke. She’s also a “cabaret entertainer.” (Roomie: “Whatever that means.”)

Sandy is from Iowa, and says that people aren’t used to girls her size having confidence.

Shari says that she has been on all sides of the size spectrum. She doesn’t look overweight to me at all. She’s also on the older side of the spectrum.

Magali tells like that he’s “like a big teddy bear.” He’s 6’3” and she looks to be at least a foot shorter than him. She jumps onto a stair to try to get on his level. She seems energetic and fun.

Natalia is another interview-cryer. “What if I’m alone for the rest of my life just because I’m overweight? I’ve got so much to give. I’m a good person. I just want someone to look past [my weight] and love me for me.”

At this moment, Roomie and I agree that some of these girls are going to get HURT, especially the ones who have never even been on a date. They’re pinning all of their hopes and dreams for love on Luke. They’re going to fall in love with him, and when they get eliminated it’s going to feel like THE END.

It seems like there are two basic categories of girls being portrayed—the girls who are at least somewhat confident in themselves (and have dated before) and want a man who likes their type, and the girls who have almost no experience with men, and are seeing this as their one real shot at love. If I were Luke, I’d look for the first type of girl. The second is too inexperienced, and needs to get more comfortable with herself.

Now that Luke has met all twenty of the girls (I left a few of them out), he enters the house with Emme. He says that all of the girls are beautiful, and he seems really excited.

Luke gives a heartfelt speech about how he really empathizes with these ladies, as a larger man. He acknowledges that they have all taken a big step, just showing up. “We’ve all experienced being judged or pushed aside,” he says, and I really like that he keeps emphasizing that he is one of them. He’s not at all condescending about the process or the women.

Luke says that he thinks all of the girls are gorgeous from the outside, but he’s looking for an inward connection. He gives them each a diamond ring (All the single ladies! He liked it, so he put a ring on it!), as a promise to open up his heart and accept them as they are. By accepting ring, the girls promise to do the same for him.

One thing that I like about this at this point is that the girls are so nice to each other. They all gush over the rings together, and they all seemed to hit it off really well as they entered the house.

Even still, this show is even more sorority than “Dating in the Dark.” This first day is rush, and starting next week the remaining girls will be pledging. And only one will make it to initiation! (Doesn’t that make this show sound like a murder mystery?)

Back to the rings. One girl says that the ring is the most expensive ring she’s ever had on her body. Another says that it feels like a hug. I wonder if they’re cubic zirconium. Nobody would know.

Luke pulls all of the girls into a group hug! This feels so much friendlier than the bachelor. He interviews that he’s humbled and excited. He’s nervous, and hopes the girls like him. He thinks they’re all beautiful, and exactly what he’s looking for.

I realize at this moment that this show is the antidote to “Dating in the Dark.” Whereas the shallow people on that show manage to make me feel bad about myself even without talking about me, Luke somehow manages to reach out from my TV and give me a big hug. “You’re beautiful!” Luke says. “I hope you like me for who I am!” I think I do, Luke. You’re a really nice guy.

Luke has little side conversations with all of the girls. He’s trying to get to know them as quickly as he can, because five women will be eliminated at the end of this party. Kristian tells Luke that in her last relationship, the guy was embarrassed that she was large. “He didn’t deserve to be with you, then,” Luke responds, sounding very sincere about it (and he’s totally right).  Kristian interviews that she feels like a five year old on Christmas Day. She’s adorable.

Another girl (Natalia?) tells Luke that she quit her job to come here. She’s serious about love, and she’s ready to settle down. (TMI? Too much pressure on Luke? People on reality shows have to put all of their cards on the table ASAP, I suppose.)

Before the commercial we are reminded that Luke has had his heart broken because of his size, and that every girl here is his type.

In case you’re wondering who the target audience is for this show, here’s a Guardasil commercial.

Back from commercials, and Luke reminds us who he is. “Im just an average guy looking for a normal life, and I’m ready to meet the girl of my dreams. Bring it on!” Bring it ON!

Anna and Lauren lie on a big outdoor bed thing with Luke. He’s obviously in heaven, and he’s telling them about his barbecuing prowess.

“What kind of girls do you look for to be enjoying your grilled meats?” Anna jokes. “I’m looking for a girl like you!” Luke responds. He adds that he’s looking for a girl who’s  confident (good call!). Anna says if people tell her not to do something, she’ll do it. (That’s not exactly the definition of confident, but okay.) Luke tells her not to kiss him, so she does.

Awkward alert! Lauren is lying right there with them. The one thing I have against Luke as this point is that he is a little bit too aggressive about getting the girls to kiss him. Also: Rude to kiss one girl right next to the other.

Inside, the girls are enjoying “skewered meats.” (There’s a definite meat theme going on here.) Bonnie says, “The way to a man’s heart is through his stomach and his pants. You go through stomach first ‘cause that’s what classy women do.” I think Bonnie is a riot.

Luke talks to Melissa, the twenty-one-year-old nanny. She’s always been scared of going on a date because it might be a mean joke. (SO. SAD.) I think she’s too inexperienced for Luke. She shouldn’t even want to win this show, really. For Melissa, it should be more about building up the confidence to go on more dates.

Luke is really sweet with Melissa. He offers her his coat and holds her had. It’s like a fantasy for her. “This is one chance to actually feel like I can be loved,” she says. “If I get sent home, it’s gonna really break my heart. I feel extremely vulnerable.” She’s scared of getting her heart broken, but she feels good about gaining confidence. Atta girl, Melissa!

It’s nice that the girls can open up with Luke about their lack of previous dates and their fears and hang-ups, but totally uncharacteristic of the real dating world. That’s the problem for girls like Melissa—a lack of confidence is okay on this show, but to get a real date she’s going to need to fortify her self esteem. Confidence is sexy.

Danielle interviews that she’s always the bridesmaid, never the bride, and always the best friend. I can really identify with that best friend bit. It’s important that she stand out to Luke, so she… jumps in the pool. (“Luke, come in the pool, it’s lukewarm!”) I was totally with her until the pool-jumping.

Bonnie thinks Danielle was kind of rude and ridiculous for jumping into the pool, and says that she looked like an otter. Danielle gets out of the pool and jumps right back in, and then seems to stay in the pool for most of the night, by herself. She’s definitely doing a good job of standing out… er, staying in… the pool.

The girls who are not talking to Luke sit around drinking and trying to game who will go home. Are there too many blondes? Maybe one of them will go. Is he too adventurous for the rocket scientist? Lauren interviews that she is really worried.

Danielle (still in the pool) thinks she must look like a beached whale, but Michelle says they she looks graceful. What a nice competitor. Michelle talks about how she’s wearing Spanx. No way! I wear Spanx, too! Spanx are an amazing invention. (Although to be honest, I wear the cheap Target version.) (They’re called Assets.) (Get it?) ($10/pair.)

Malissa A. (the blonde one, and I’m not sure if the A is for her last name or for the weird A in Malissa) just got back from studying abroad in Paris (is she still in college?!). She knows French, but Spanish is her stronger language. Luke asks her how to say “kiss” in Spanish. Her accent is really good. Luke asks her for a beso, and she hesitates— I don’t really think she wants to kiss him so soon. After a moment she kisses him, and he says he wants another beso before he has to think about who will go home. Manipulative!

So that’s Luke’s only real flaw right now: He’s a kiss whore. I feel for Malissa A, because I don’t think I’d want to kiss Luke in front of the other girls. I think that Luke is a little bit drunk with the idea that all of these girls like him, and I can’t totally blame him for milking it.

Now it’s time for the elimination. The girls have to put their rings back into the bowl, and Luke will hand fifteen of the rings back out. After hearing how excited the girls were about the rings, I feel really bad that they have to take them off so soon after receiving them.

Emme announces that the girls who receive a ring will move into the mansion with Luke. Now that the girls have found this oasis, none of them are happy at the prospect of going back to their lives.

Luke tells the girls that they all look beautiful tonight. “I feel honored having had the opportunity to know you,” he says. “The future Mrs. Conley could very well be in this room tonight.” I’m glad that he realizes that the future Mrs. Conley might NOT be in this room. Luke thanks the girls for being on the show, from the bottom of his heart. (Put down the corndog, Luke!) (There really was meat-on-a-stick at this party.)

The following girls get rings (Luke asks, “Will you wear this ring?” and it sounds a little too marriage-y for the first day meeting these girls): Anna, Malissa A, Magali, Heather, Mandy, Amanda, Vanessa, Tali, Lauren (whew), Bonnie (“You scared me,” she says. “I’m sorry about that,” Luke replies, and seems to mean it), Christina, “Dani” (Danielle?), Arianne, Kristian, and (dun dun DUN) Melissa.

Why do I have the uneasy feeling that some of the least attractive girls are going home, even though Luke said that they were all beautiful in his eyes? Oh, reality TV. You’re tearing me apart.

During the ring ceremony, Danielle wondered if the pool was the best thing or a mistake. I think it was a mistake, but she made it through. I have a feeling she’s going to be a drama queen in the house, or at least stir up trouble.

“I was so nervous,” Melissa says about the ring ceremony. “My weight has been in the way of me finding love. I do think there are guys out there who will say, gosh I love that girl, and I don’t care if people look at her funny.” Sad! But also, progress for Melissa? But then she says, “I hope it’s fate that’s brought [me and Luke] together.” Eek. Melissa is adorable, but I worry that she’s going to end up with her heart broken. With her lack of experience, there’s a good chance that she’ll fall head over heels, and maybe even become a stage-5 clinger. If Luke breaks her heart, she might end up feeling even worse about herself.

Kristian says that her heart stopped when Luke said her name. She felt like she floated over to him to get her ring.

And what of the girls who didn’t get rings? Lots of tears. It was pretty much the literal version of “Joe Schmo’s” “Last Chance at Love” Trail of Tears.

Natalia felt as though this was her last-ditch attempt. Michelle cries as she interviews that she doesn’t want to be alone. She wants to have a love story. I can only hope that some nice Luke-esque guys are watching the show, and get in touch with the girls who get out.

The girl who offered to cook Luke his favorite food when she first met him is one of the girls who didn’t get a ring. She interviews that she has “so much love to give,” and that she’s going home to being alone again, and has been singe for five years. SO MUCH SADNESS.

Luke says again that he doesn’t want to hurt feelings. Everyone there has been pushed aside before and he knows how much it hurts, but he has to figure out which girl is right for him.

One really nice gesture is that Luke hugs (or handshakes) all of the eliminated girls and says goodbye to them individually. He tells each girl that it was great to meet her, and he really seems genuinely glad to have met them, and sorry about the whole rejection situation. That’s a far cry from the wordless ditchery on “Dating in the Dark”

Michelle interviews that she can tell Luke’s a good man, and wants to find a good man herself. She wants to keep her heart open, and not close herself off because of this. All the best to Michelle! I’m glad that she didn’t get too wrapped up in the Luke-ness of it all.

The remaining ladies group-hug Luke. He interviews that he’s flattered that they all want to get to know him. Aww. I really didn’t expect to like him this much. It’s funny to call this show “The Fatchelor,” but there’s a much more good-hearted vibe about this whole endeavor than the original “Bachelor” series. This is about self-esteem building (I hope), and it seems less slick.

Coming up this season—a lot of kissing (not surprised at all). Also: they have a prom? And it makes some of the girls cry?

Also: Cat-fights and bouquet beat-downs. This IS going to get sorority!

After the show ends, Roomie turns to me and says, “Haven’t any of these girls ever tried to date a guy like Luke before?” If Lukes exist, why do the girls who are Luke’s type go dateless? My initial answer was that even Luke-types often try to go for the “hot” girls, and thanks to double standards, they can often get them (see last night’s “girls choose personality/guys choose looks” discussion).

But more importantly—and I think this is really evident in tonight’s show—a lot of these girls could be dating a Luke-type, but aren’t. Some have such low confidence that they didn’t think anyone wanted to date them and kept themselves out of the pool–or they wanted to date hotter guys, and couldn’t nab them. A lot of the girls talked about liking guys who went for the skinny friend— I’m guessing Luke was one of those guys who often got dumped for the skinny friend, too, but on the man-side of sadness.

That’s part of what makes Luke such a good bachelor. We’re rooting for him to find a girl who likes him for who he is, just as much as we’re rooting for him to choose one of these girls who has “so much love to give” to a man who values her. (Although–she should be giving that love to herself, first and foremost.)

Also– us young 20-somethings are in generation Y. We’re all about not being attached, and trading up. So if you’re not the newest or the best model of any product, prepare to be replaced by the upgrade. It’s the harsh reality/mentality of our times. It’s hard to find a Luke– a person who wants some real and lasting (or at least, who claims to want those things).

So—what did we learn tonight? Self esteem is key. Both genders have it tough when it comes to dating. And—most importantly—Spanx are your friend.

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Snack of the Afternoon, 7/27/09: AUSTRALIAN “LIQUORICE”

July 28, 2009
Would a kangaroo lie to you?

Would a kangaroo lie to you?

I first encountered Australian liquorice when I was in high school. My friend Elena offered me a piece, and I was intrigued. (And so I began my downward spiral into drugs…) (Just kidding.)

Now, there are a couple of different brands of Australian liquorice, and I can never remember which brand I like best, or which flavor I prefer in any of those brands (hence, the two flavors above). This leads to a lot of disappointing purchases. My favorite brand (or at least, I think it’s my favorite) is available at Target, but they are ALWAYS out. Some greedy wallaby is buying it all up. (Maybe Australian liquorice contains traces of plutonium, and Doc Brown has been buying it in bulk to power his flux capacitor.) (If that is the case, I am going to stop eating this stuff ASAP.)

I don’t think the brand pictured is my favorite (it’s a little gummier), but it’s decent stuff. (The Target stuff has really similar packaging, and I get confused.) And it’s available in droves at Cost Plus World Market, which is one of my favorite stores to peruse. They have snacks from around the world! Including British chocolate, which tastes less waxy than American chocolate (you may not believe me, but that has been proven by science).

I bought today’s snack at the Cost Plus in the Grove/Farmer’s Market yesterday, during my impromptu “somebody has swine flu” (snow) day off from work. The woman at the counter asked if we were on our way to the movies, because apparently people love to sneak stuff from Cost Plus into the movies. “With a big enough purse, you could even sneak a bottle of wine,” she said. (She was one of my favorite checker-outers of all time.) “Or we could just bring those little personal bottles of wine,” I pointed out. There’s another reason to love those mini bottles of wine, besides the cuteness factor.

So yeah, Australian liquorice. If you are a liquorice person (and I am), give it a try. Also, licorice. Ah, that felt good. My brain was hurting from not being sure how to spell licorice the American way. The British spelling made me lose confidence. Thanks, spellcheck!

Happy hunting.

xoxo…

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Illuminating Recap: DATING IN THE DARK, Episode 102

July 28, 2009
Megan and Matt dine in the dark.

Megan and Matt dine in the dark.

Original air date: 7/27/09

I was SO relieved to be done with my “True Blood” recapping that I wasn’t planning on doing anything else blog-related tonight. I sat on the couch like a smug smugaroo, watching The Bachelorette with my roommate as she worked on her recap (I live in a recap factory). I guess the sound of her clickety-clacking keyboard stirred my heart, because before I knew it I had whipped out my laptop. “Dating in the Dark” always gets me riled up in one way or another, and compared to “True Blood,” this recap is a breeze. (Also: No orgies or blood-sex. Thank goodness.)

First of all, the host is Rossi Morreale. What’s that all about? I have never heard of him before in my life. Come to think of it, I don’t know if I had heard of Jeff Probst before “Survivor,” but still… I don’t trust Rossi yet. What’s his game? (“Dating in the Dark.” Duh.)

Last week, you might remember that I was indignant on behalf of Seth. This week I was rooting for Megan, a 31- year-old “Aspiring Sommelier.” Yes, her suitcase was ginormous and she was potentially a crazy cat lady, but she doesn’t WANT to be a crazy cat lady. She wants to grow up and become a “normal adult,” like the rest of her friends.

Megan has a very fun sense of style (I love the blue Middle Eastern style scarf she’s wearing when she arrives) and seems warm and energetic. She is also not a size two, and I know from the commercials that she’s probably going to get fucked over tonight. I’m a total Megan (minus the crazy cat lady thing, whew), so this is going to hurt.

Megan gets paired (81% compatible) with Matt, a 28-year-old “Land Developing Consultant”. The best way to describe him is that he would look like Matthew McConaughey in extremely low light. He’s the very poor man’s Matthew McConaughey. Of course, he interviews that he’s “very critical” and “puts looks first.” Ouch. Run, Megan! Run for your dignity!

The funny thing is, I know from the teasers that Matt is going to debate rejecting Megan, but I find Megan to be more attractive than Matt. I think I make my judgments more on personality than looks (to a point), even when I’m judging women.

Okay, the rest of them, quickly. 31-year-old “Marketing Consultant” Jason gets paired with 32-year-old “Actor” (and motivational speaker) Chrystee (75% compatible). After the group meeting, one of the guys guesses that Chrystee is a “light-skinned” African-American. Roomie and I wonder how they are pinpointing her skin tone, based on voice. Are they just hoping that she’s light-skinned? Ay yi yi. This show is a minefield!

31-year-old “Pitching Coach” (for the St. Louis Cardinals? Is that a team? I don’t do sports) Doug gets paired with 26-year-old “Operations Manger” Lindsay (73% compatible). I would like to state for the record that Lindsay has an incredibly strange Boston accent. I mean, maybe it’s the normal accent for Boston, but I find it freaky-deaky.

I really want to know how they calculate those compatibility percentages, and what the numbers actually mean. (I am always inclined to call bullshit when I’m watching reality TV.)

After the initial meet ‘n greet whatevers (this is before the pairings are announced, and after the group meeting), the guys and girls get to raid each others’ suitcases. The women seem more horrified than the men at the prospect of the raid. Lindsay interviews that you wouldn’t want a man rifling around your purse. I say a purse is fine. I don’t carry around anything TOO embarrassing in my purse. A suitcase? A closet? That’s another story.

The girls find a hair straightener in Jason’s luggage and don’t know what to make of it. Does he have long hair? (No. He’s just metro. Maybe a little too metro.) They find a large dumbbell (ha!) in Doug’s luggage, which seems to freak them all out, and I don’t blame them. It obviously made his luggage super-heavy, and can he seriously not go for a week without pumping iron? (I bet there’s a gym in the house; this is Los Angeles.)

Of course, the men are checking out the sizes in the women’s clothes. A 34C bra (Megan’s?) is given a thumbs-up, and a size four pair of pants (Lindsay’s?) is apparently “curvy.” All the men nod and agree that the size four is curvy. Um, hello?! Really? I also find it very ironic that Matt is pleased with the 34C bra, but later is worried that Megan won’t be tight-bodied. Um, you can’t have it all at once, Matt. Unless you want to pay for the surgery. (They find a Bible in Chrystee’s luggage, but we’ll talk more about that later.)

For the record, they didn’t show the women checking the men’s clothing sizes. (And also, isn’t it unfair that men judge breast size? The women should be getting the men’s penis measurements. It’s only fair.)

The thing that really UGHS me out about the show this week is that each guy describes his ideal woman as “petite.” That’s such a bullshit word, because a girl can be small or short without being super thin. And doesn’t every guy want a petite girl? Isn’t that the same as saying, “I want a guy who has hair”? I mean, in an ideal world most people would like that. Right? In the end, “petite” is such a broad term for “thin.” And if a size four is “curvy”… ugh.

Things got freakier on the dates this week, and not just because people look like demons in those infrared cameras. (Peoples’ eyes look completely black—or, worse, the whites kind of glow.)

On Lindsay and Doug’s first compatibility-match date, Doug introduces a game where they dip their fingers in melted chocolate and put the chocolate on their body. The other person has to kiss/lick it off. But they’re in the dark, so it sounds like a big, sticky, where-did-you-put-it? (ha!) game to me. Also:  They just met! If I were Lindsay, this game would skeeve me out (but I’m definitely not Lindsay—whew). Afterwards, Megan cleans the extra chocolate off of Lindsay’s face, teasing, “Who’s my little slut?” That seals the deal. Megan is my favorite.

On the preliminary date, Chrystee talked a LOT about religion (she believes in Christ and “praying in things,” and she’s here to find a spiritual, vulnerable man). Jason felt that the religious talk killed the romantic mood in the last meeting (I tend to agree), so this time around they play some sort of football/wrestling/molesting game. Jason says that he was testing Chrystee’s spontaneous fun side, and she got an A+. Great. I know I love it when guys secretly test me (NOT).

Matt is “stoked” for his date with Megan, and brings his “indoor surfboard.” What is an indoor surfboard? And also, that’s a totally McConaughey thing to do. Of course, this is also a test—as she stands on the surfboard, he feels her down to see if she has a “tight, fit body,” because (surprise, surprise!) he “prefers petite girls.” You’re killing me, guys!

Matt kisses Megan, even though he may or may not like her. Sigh. She interviews, “It really takes a lot to shut me up, and he really shut me up!” Oh gosh. Is Megan my long-lost sister?

When Matt returns to the Man Side, he expresses his concerns about Megan’s “thickness.” (Can I just say, if I called a guy or girl “thick,” I would definitely be referring to his intelligence?) Doug wonders if the thickness is going to be a deal-breaker, or whether Matt can find a way to love Megan, thickness and all. (Isn’t there a better word than “thickness?” Seriously. At least “curvy” implies sexy.)

Matt isn’t sure what to do, yet. He’s on the fence because he can’t be sure how fit Megan is. Maybe the thickness is just fitness? Oh God. Run, Megan, run. If a guy has to debate whether or not you are thin enough to love, he does not deserve you. Obviously “thick” is their word for “fat,” and you are not fat, and their euphemism is creepy.

Rossi (WHO?) informs the guys/girls that they are going on another date. This time, the guys will cook dinner, and the girls with give the guys massages. UGH. Usually I’d say, oh, how progressive to make the boys cook dinner. But the girls are being asked to do something (potentially) slutty, so I’m not exactly thumbs-up about this.

Jason prepares salad and chicken for dinner. DINING IN THE DARK! Chrystee wants to pray over the food. She addresses God as “father,” which is kind of funny for a date. Jason interviews that he can’t connect with her “serious” side, which is code for her religious zeal. After dinner it’s time for Chrystee to give Jason his massage. I wonder how exactly this is jiving with her beliefs. Massages for Jesus!

At the end of the date Jason gives Chrystee a little goodbye kiss, and she bounds into the girls’ bedroom and leaps onto the bed. It’s very cute and schoolgirl-y.

Doug admits that he’s not much of a cook, and ends up making hot dogs and… shrimp. Right. As he heads into the room he’s anxious to “get it done.” Romantic. I think he’s saying that in an I-coach-sports kind of way. Go team! Doug made the hot dogs in honor of the fact that Lindsay loves baseball (accordingly, she loves that he is a baseball coach).

Doug feeds Lindsay the hot dog. “Bite hard,” he says. (Ouch!) The whole thing is kind of gross/sexual. But Lindsay thinks it’s “awesome.” (I think Lindsay and I have different taste in… everything.) And Lindsay’s accent is so hard to listen to. Luckily, as my roommate reminded me yesterday, “There’s an ass for every seat.”

(“Remind me never to date a guy from Boston,” I say to roomie, re: Lindsay’s accent. Then I remember: The last guy I dated was from Boston. How soon I forget! But he didn’t have the accent, so it doesn’t count.)

FYI: Watching the guys get sexual massages? Creepy. Also, I would be really, really bad at this “challenge.” Are all women supposed to be semi-professional masseuses? I missed the memo.

After the date Doug says that he “made a great connection” with Lindsay, but he won’t know if he likes her until he sees her. That is the general sentiment among the guys. Last week the guys seemed more sensitive and likely to get dumped. This week, we’re back into that good old theory: Girls primarily judge on personality; guys primarily judge on looks.

Matt cooks up “scallops and something.” I’m a little bit worried about the “something” part. Megan and Matt spend most of the meal sassing each other, literally yelling over each other and saying “shut up,” like a bickering old couple. However strange it looks to us, they’re really enjoying each other’s company. (Matt interviews that being inebriated didn’t hurt. Oh no, Megan! I am living this episode vicariously through you, and I don’t want to see you get hurt!)

When the fracas dies down, Megan says, “What do you think I might look like?” “Wow…” Matt says, as if he’s been caught. “Typically I go for a petite little blonde.” Megan interviews that she is worried. “I’m neither of those things.” (Although everyone looks sort of blonde in the infrared cameras. Weird.) He should like you for what you ARE, Megan! This is making me mad.

At the end of the date they make out standing up, which is funny because there are couches in there (unless they haven’t discovered them; it IS pitch dark). Maybe we’re only seeing the very end. Megan is excited to see what Matt looks like. Oh no, Megan. I don’t want to see this guy break your heart.

Watching the commercials. “Defying Gravity” looks like the astronaut version of “Grey’s Anatomy.” “I don’t date astronauts!” DATING IN THE VACUUM!

It’s the morning of the big reveal. Doug teases Matt as they wake up. “Get up, Matt. You’re about to meet the love of your life. Wedding bells are ringing!” I’m glad this show doesn’t go THAT far. Ditched at the altar by a man she just met!

We see Jason straigtening his hair with his famous yellow straightener.

The couples invite each other to meet in the light. It hits me that this is SO SORORITY (it’s also a little bit Fellowship of the Sun—Meet the Sun ceremony!) Inviting someone to hang out several times in a row (because you have to invite SOMEBODY to the party) and then rejecting them based on superficial reasons—if you’ve been through rush, you know what I’m talking about. (And even if you haven’t.)

The reveal is so strange to watch. We see person who is about to be revealed, black and white in the infrared camera. Then the person disappears into blackness, and reappears in color. It’s like seeing a ghost turn into a person, while another ghost watches. (The person watching the reveal stays silent and in the dark, on the infrared camera.)

Chrystee is happy with Jason, but he does not look happy with her. I think that Chrystee is relatively better looking than Jason, so I’m shocked by his frown. It all makes sense later, when he says that he likes her looks but is worried about the religious differences. I am right there with him.

Next Lindsay sees Doug, and she likes his looks. “Wow,” she says. “He has the nicest smile.” I like that she notices his smile first. Doug is not as enchanted. When he exits the reveal room, he says, “She’s a good-looking girl, for sure.” Not good-looking enough to “wow” him. “Her complexion wasn’t the clearest,” Doug says. I didn’t even notice her complexion, and I’ve been seeing her in the light for an hour. Is he really that picky?

“She didn’t blow me away,” Doug says. “I’m not head over heels.” What was he expecting, a supermodel? Crazy-high standards! Then again, Lindsay is weird. If I were Doug I might blame it on the complexion just to get away from the accent.

Megan is really nervous about the reveal. She interviews that she wants to be sick “in the best possible way.” Can I just say that Megan is not fat? And she looks really cute in her reveal dress. Matt really likes Megan, “But now it all comes down to what Megan looks like.” I think I’m going to be sick in the worst possible way!

Megan says, “I don’t have issues with my personality. I do have issues with self esteem and the way that I look, and it’s making me nervous.” Oh Megan! I want to give her a hug. I want tell her the things that Ellen and Mia said to Evan on “So You Think You Can Dance” last week. You’re special, Megan!

Now for the big reveal. Megan likes Matt. We can see her smiling in the dark. The music of doom plays as Matt sees Megan. He looks very skeptical. In fact, he looks away, which is weird because Megan can’t see him. “What a prick,” my roommate says. She continues to be the best peanut gallery ever.

I’m thinking Matt’s a no after seeing the reveal, but it turns out that he’s not sure. This is the “dilemma” of the week. He says that he needs to go back and match up the dates with the face, now that he knows what Megan looks like. Ugh. Because looking back he might realize that he was having a bad time, even though he thought he was having a good time.

Lindsey goes to Balcony of the Light first. Doug’s not there yet. He’s contemplating whether or not to ditch her. UGH. The camera is on the Front Doors of Rejection. Oh no Lindsay! But it’s a fake-out. Doug walks out onto the balcony. Whew. They climb into the Towncar of Love. Doug says, “The first thing I’m taking away from this is learning not to judge. The second thing I’m taking away from this is the girl!” Heh.

Chrystee wrote a note for Jason. She IS really serious. She waits on the balcony, wearing a really pretty red kimono shirt. I think you can tell that somebody is getting rejected if you see the other person sprawled across the furniture. This week Jason is the furniture lizard. He says that he’s focusing on the non-looks stuff about Chrystee. Is she too religious for him?

Yes, she is. Jason walks out the front door… probably for the best. He thinks that Chrystee’s faith is “amazing for her,” but it overpowers what he’s looking for in someone to date.  It was God’s plan, Chrystee! If religious compatibility is so important, she should probably meet a man through church, or the Christian equivalent of JDate. (“Is there a CDate?” roomie asks. I hope it’s not called that.)

Matt interviews that if he goes out on the balcony, he’s showing Megan that he’s ready to be in a relationship. Really? Because I thought it just meant that you’re interested in going on a date in the light, and taking it from there. Or at least it shows that you’re interested in not humiliating this person that you just spend a lot of time bonding with.

Uh oh! Matt is packing. Is this a mislead? Meanwhile, Megan is looking way cute on the balcony. And then… Matt is out on the balcony. He bursts in and hugs her, lifting her off the ground. He seems really happy. Oh whew, good for him… and good for Megan’s self-esteem! They get into the Town Car of Love, which takes them to… honestly, it probably just drives them down the block until the director yells “cut.”

The surprising end to the Megan/Matt story doesn’t make me feel a whole lot different about all of the judgment that went down tonight. At least nobody was ditched on account of looks. But seriously? What is up with guys expecting the women to look like models? Why do they have such lofty expectations for these girls? The only place where you’re going to find these perfect, petite girls with amazing complexions is in magazine ads… and those are Photoshopped to death.

I just can’t believe that after a week of intense bonding, a guy could seriously contemplate ditching a girl (or vice versa, as we saw with Christina/Seth last week) over slight physical considerations. Matt felt Megan’s body in the dark, and still he refused to make a call until he saw it with his eyes? Doug almost ditched Lindsay over her complexion? A bad complexion can be fixed (or a zitty week will pass). A critical, nit-picking person—or worse, a mean person? Not so easy to conquer that.

Overall, I guess the uncomfortable thing about this show is that it makes us confront how shallow we can all be—or, if we’re a Megan or a Seth, what other people might really be thinking about us when they seem to be enjoying their time with us. But in real life, we don’t necessarily say this stuff out loud—and definitely not on national TV. (I blame this whole situation on reality TV, for making these situations exist. Even the promotions are shallow.)

Also, in real life when we date, we (hopefully) don’t lead people on for as long as this show requires people to be led on. It doesn’t seem like they have the option of abstaining from dates if they don’t like their match’s personality.

Isn’t this awkward for any of these couples to watch together if they’re still dating? “Aww, you almost dumped me because you thought I was too ‘thick.’ You’re the best!” “You know I love you, baby!”

I doubt these couples last, though. There’s a lot of pressure to bond with the person you’re set up with while you’re in the house, but as soon as these people are set free… they’re not stuck with this one person as their only option.

Whatever ends up happening with Megan/Matt, I wish them well. I just want her to be happy! (Haha, love how invested I get in people in one hour, without even knowing them. The empathy runs strong in me!)

Bottom line: If you judge based on looks, you MISS OUT on some pretty cool people. (Don’t believe me? As the simplest example, think of all the amazing character actors you wouldn’t look twice at if they weren’t a famous actor. You love them for who they are, not for their hot bods.)

Bottom bottom line: How do people on this show still reject their matches, even after they realize how cool they are? Troubling.

Next week: The three girls compete for the same guy, who “could be a troll.” Oh God. Brace yourselves.

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