Snack of the Afternoon, 8/31/09: GREEN GRAPES (and Eggs)

August 31, 2009
Good times and green grapes.

Good times and green grapes.

We have a whole big mound of fruit in the kitchen today (including mangoes), so this should be a good week of eatin’, fruit-wise.

There was also a new pint (or whatever it’s called) of Americone Dream, so I had a bit of that, too. Hard to resist. And if I had access to my Limeade (from the makers of Simply Orange!), I’d be chugging it. That Limeade was goooood.

While I was fetching this snack, I ran into a co-worker/writer who is also a “True Blood” aficionado (and a jokester). He said that he thinks that Eggs laid that big egg in last night’s episode, and the rest of us snack-seekers laughed. “Where’d he get the nickname from?” he asked, and we said, “His name is Benedict. Eggs Benedict, you see?”

“So you think it’s just lazy writing?” My co-worker asked (and I paraphrase). “He’s been sitting [pun intended?] on the nickname Eggs all season, and now there’s a giant egg? And that’s a coincidence?”

When you put it that way, it kind of makes sense. Is it bananas that I’m seriously considering the Eggs-laid-an-egg hypothesis?

And Jason DID have that line about whether Sam ever turned into a chicken and laid an egg. Maybe they’re setting us up for the weird and wacky possibility that Eggs is a chicken-shifter, or something? We know that Maryann loves shifters.

Or did someone else lay the egg, and Eggs is just the nest-maker/egg-keeper?

Okay, snack on that. (Yuck.)

xoxo…


Mad-cap: MAD MEN Went There Like Whoa

August 31, 2009
Party down!

Party down!

Episode 303, “My Old Kentucky Home” Air Date: 8/30/09

I always watch “True Blood” before I watch “Mad Men,” and I was pretty sure, going into “Mad Men,” that all of the crazy was behind me. I mean, ERIC FLEW! He rocketed in the sky! And… there was a giant egg.

But no. “Mad Men” stepped up and brought a whole new bag of insanity… and overt racism, and opposed to metaphorical vampire racism.

Primary shock of the night: Roger Sterling sang to new-wife Jane, in black face! I couldn’t believe my eyes. And everyone (except Don) at the party was like, “Haha, black face, listen to those racist lyrics, I love it, this is the best!”

Oh 1963, you’re killing me. It was literally shocking. Props to John Slattery for agreeing to do this, because it was really eye-opening. And he does it because Jane loves it. Ugh, another reason to wish he’s stayed with Mona/married Joan.

I think he’s singing “My Old Kentucky Home” (ha, everyone’s doing this song-titles-as-episode-titles thing), which used to have racist lyrics. (Maybe it still does.)

Back in the day, smoking pot was way more scandalous than black face. Oh, we have a little of that, too? Perfect.

Here are the highlights:

-Half of the guys at the office had to come in and work on Saturday, and the other half had to go to Roger Sterling’s garden party. Everybody was “grass is greener on the other side” about it. “Give me your glasses,” Paul said to Harry, re: his complaints. “I’ll go as you.”

-Jane (formerly Don’s secretary) came back to work all fancy-shmancy (not to work, but to visit Roger) just to rub it in Joan’s face. And also rubs the fact that she’s losing weight in Joan’s face… even though, isn’t that a sign of unhappiness?

-Peggy, Paul, Smitty (where was Kurt?) and some Princeton-grad drug dealer named Jeffrey Graves smoked pot. We find out that Paul used to have a major Joisey accent, even though now he talks in an almost-British accent. And is really pissed off that he’s not rising higher (ha, get it) in the company. Also, Smitty (and/or Jeffrey) seems smitten with Peggy. (Ha.)

(When I get home, I think I’m going to do a special post that just lists all of the funny high-speak.)

-Peggy’s secretary (Olive) is old enough to be her mother, and acting like she IS Peggy’s mother. Olive also comes in on Saturday because, “If you’re working, I’m working.” I’m pretty sure I’ve uttered those exact lines before. Olive is none to happy when she realizes that Peggy smoked pot, but Peggy has a great little, “Don’t worry about me” monologue.

-Paul and Jeffrey sing a song from the Tiger Tones, their Princeton a cappella group (well, Paul quit and/or was kicked out). It’s the same song that the alien that bursts out of the stomach sings at the end of SPACEBALLS.

-Don jumps over a bar and meets an old man named Connie who’s attending the Rockefeller wedding next door (“a match made in the board room”). Don says, “I’m at work disguised as a party.” Turns out the Rockefeller thing kind of mirrors the whole Roger remarriage? I couldn’t hear some of the lines over the AC. But it was something about getting married a month after getting divorced.

-Sally stole money from Grandpa Gene, but then felt bad that Grandpa Gene suspected the housekeeper, Clara. (Gene called her Viola, and asked if she knew Viola, and Clara was rightly Pissed.) Sally gave the money back without admitting that she was guilty. Also, Grandpa was making her read a really strange book to him, which involved licentiousness, interior decorating, and “effeminate Orientals.”

-Joan threw a dinner party for her fiance’s medical friends, where at his request she played the accordion and sang in French (!), even though she didn’t want to.  Also, before the party he tried to tell her to go against Emily Post’s seating arrangement advice (tres gauche!), and she ended up settling on a buffet to make him happy. Ugh. Joan’s fiance is breaking her spirit. Break up with him!

-Harry, Pete, Don and Ken went to Roger Sterling’s garden party with their wives (except for poor solo Ken, who didn’t even have a date). Pete and Trudy did an insane choreographed dance, which is apparently what married couples do when they can’t have children. Or something. And Pete wears blue pants with a gray-maybe-brown blazer. It would be too hip if they were jeans, so I doubt they’re jeans. And Harry’s wife is super-thin, and doesn’t look anything like I remembered her.

-Roger wonders why Don is mad at him. “My mother was right,” Roger says. “It’s a mistake to be conspicuously happy. Some people don’t like it.” “No one thinks you’re happy,” Don replies. “They think you’re foolish/full of shit.” I listened to it three times, and couldn’t tell whether he said foolish or “full of shit.” Cool.

-Betty is not happy about being pregnant. She calls herself an “open umbrella,” and says, “I know I look good in my condition, but I’m still in my condition.” Some old guy who works for the governor hits on her, and at the end (after drunken Jane blabs about knowing that Don and Betty were separated), Don finds Betty far away from the garden party tent, in the bushes/dark, and they make out.

All’s well that ends well!

Next week on: Big Gay Sal’s wife knows that something is wrong. Peggy wants to move to Manhattan. And more!

xoxo…

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Chickens and Eggs: TRUE BLOOD Recap, Episode 211

August 31, 2009
Be still, my beating human heart.

Be still, my beating human heart.

Episode 211: “Frenzy” Air Date: 8/30/09

Have I mentioned that every episode title is also the name of the song that plays in the closing credits? Clever clever, Mr. Ball.

Thanks to a last minute trip to the grocery store, I sat down to watch this recap with a tall glass of Limeade. I’d never tried it before, but I figured it was all the best parts of a mojito. And I was right. If you like lemonade, check out Limeade.

In addition, due to the high high heat of our living room, Roomie and I sat about two feet away from the TV, so that we’d be able to hear the dialogue and keep the AC running.

Previously on: The only important reminder is that Sookie’s cousin Hadley went to rehab on Gran’s dime, but… ended up running away from rehab. Great. (I’ll give you one guess why we’re getting this info.)

Sometimes this show is acting serious but being funny, and sometimes this show is trying to be serious and is funny anyway. Either way, I am having a good time!

Before we go into this week’s episode, I want to let you know that there’s a major chicken/egg theme going on here. See if you can spot all of the references. (After crazy Malvin’s egg costume on “Project Runway” this week, I’m kind of WTFing over here.)

Now on: Remember how Bill entered the Vampire Queen’s house, and had an UH OH look on his face, and saw a bloody leg? Well, the Vamp Queen (aka Sophie-Anne… thanks, IMDB) is going down on a chick (they don’t say it’s Hadley, but I think it’s Hadley), vampire-style. In other words, she’s drinking from her femoral arteries. Hot. Of course, Bill is not interested in joining in.

In his old-fashioned way, Bill is embarrassed. “Is this a bad time?” “There is no such thing as bad, and there is no such thing as time,” Sophie-Anne says. But I think there is such thing as bad acting. The time thing… we can discuss later. (Much later. Not now. I don’t have time.) (Ha.)

Cue opening credits.

Jessica is happily (er, angrily) sucking Maxine’s blood. (Maxine is Hoyt’s mom, for the uninitiated.) Hoyt tears Jessica away and rescues his mother, who was actually enjoying herself.

Hoyt: Have you lost your mind?

Jessica: Didn’t you hear all those nasty things she said about you? ["Penguin dick."] And me! ["Dead whore."]

Hoyt: She’s my mama. She gets to! The hell are you from?

Ha. Poor Hoyt. He needs himself some therapy. Jessica tries to apologize, but Hoyt points at her accusingly and says, “I should have listened to Vampire Bill when he warned me about you.” (Can you drop the “Vampire” now, Hoyt? It feels a little bit racist.)

Maxine smiles at Jessica and waggles her fingers. She was into it. “You see what you did to her?” Hoyt yells at Jessica as he drags Maxine out. (UGH, why are women always blamed for these sorts of things?) Jessica slams the front door shut and SCREAMS and cries. Hell hath no fury like a vampire woman scorned. (Is Hoyt going to die for this? I’m guessing no, but still… bad times are ahead for him.)

Did I mention that she’s still wearing that beautiful teal dress that matches her eyes? You should NOT have broken up with her, Hoyt!

Back to the lovely Manse of the Queen. I would love to visit this place, if it exists. (Any leads? If it’s not a set, it’s probably in LA.) Bill sits across the pool from Hadley (still hasn’t been introduced as such.) Sophie-Anne enters, having cleaned herself up. She calls Bill (only, she calls him “William”) a “snob” for turning down Hadley’s blood. “I hate snobs,” S-A says. “Tiny, tiny souls, or penises, or both.” (What about female snobs?)

S-A kicks Hadley out. Considering the bloodshed quotient, it’s funny that Hadley is lying on a cream-colored divan, and wearing white and cream. S-A tells Bill that she has all sorts of delightful humans he could feed on, including, “A Latvian boy, has to be tasted to be believed. Not polluted like most humans. Tastes exactly the way they used to taste just after I was turned. Before the industrial revolution fucked everything to hell.”

Okay, thoughts. A) Evan Rachel Wood is acting this is such a campy, hammy way… was that the direction? Or is she just a bad actress? B) Sophie-Anne was turned sometime before the Industrial Revolution? That makes her… not nearly as old as Eric. Shouldn’t Eric be King, rather than Sheriff? What’s the deal with the hierarchy? We know that Godric chose to be Sheriff, but could have been King… but what’s Eric’s deal?

Bill politely refuses the Latvian and cuts to the chase: He needs to know how to kill a maenad (aka Maryann).

Sophie-Anne: Orgies? Sacrifice?

Bill: Yes.

Sophie-Anne: Cannibalism?

Bill: We suspect.

Sophie-Anne: (gasps) Fun!

This is kind of the perfect role for Marilyn Manson’s ex. She probably read her sides and thought, “Oh, just like the conversations I used to overhear at Marilyn’s place.”

Sophie-Ann gives Bill the bad news: He can’t kill Maryann. “She’s convinced herself she’s immortal, and so she is.”

Whuh?

But there’s more. “William, surely you know that everything that exists imagined itself into existence.” Right. Sure. Now it all makes sense. “I’m not entirely familiar with that theory, no,” Bill says. Sophie-Anne basically says that back in Ancient Greece, Maryann was probably married to a pederast jerk, and therefore ran off into the woods and joined the crazy Bacchus religion.

Bill refers to the human tendency toward Puritanism, which gives me a laugh because Bill is… probably about as Puritan as vampires come. Sophie-Anne says that Maryann believes that all of the crazy stuff she’s doing brings her one step closer to the divine.

Bill: Isn’t that delusional?

Sophie-Anne: Never underestimate the power of blind faith. It can manifest in ways that bend the laws of physics or break them entirely.

And we thought the Fellowship of the Sun was bad.

Bill mentions the whole Maryann’s-blood-made-me-retch thing, and we get another interesting tidbit: Vampires can only drink human blood. (Don’t tell the “Twilight” vamps. They are totally drinking animals.) “But she started out as human,” Bill protests. “Hello, evolution?” S-A reminds him. “We started out that way, too.”

S-A looks at her watch. “Less than two hours ’til dawn. Shall we have sex?” Bill squirms uncomfortably. “Kidding,” S-A says. “I haven’t enjoyed sex with men since the Eisenhower administration.” Kind of appropriate, since her proclivities rhyme with “I Like Ike!”

Bill tries to leave, but S-A insists that Bill spend the day with her in her “Day Room,” which is really gorgeous. It has giant chandeliers, and glass windows that appear to look out onto the beach (they’re just like department store windows, looking out onto a fake beach-scape). S-A reasons that if Sookie were in trouble, Bill would know.

Sookie, Lafayette, and Tara’s mom are still holding Tara hostage. She’s freaking out about how she needs to go save Eggs because he’s her true love blah blah blah, even though Eggs has been by Maryann’s side since we met him, and for all we know he’s evil. When Lafayette points out that Eggs beat Tara (haha, Eggs beating… Eggbeaters), Tara protests that it was Maryann’s influence. Well, couldn’t Maryann have been influencing Eggs to love her, too?

Think, Tara! You are the worst.

Lafayette gets out his shotgun to protect the apartment against Maryann’s followers, and locks Tara up with a pair of fuzzy purple handcuffs. Only, he locks Tara to a table that isn’t bolted down. Everybody is stupid!

Tara is almost being worse that she was at last week’s exorcism. She says that Lafayette is just jealous “because I found love, and you never will– you fucking freak!” She turns on Sookie, too: “You had to settle for a dead man!” I think Sookie speaks for all of us when she says, “Uck, that’s supposed to get me on your side?”

Sookie and Lafayette go on the porch (each time they open the door, there’s this faintly magical noise… ha), leaving Tara alone with her mother. Bad Idea Number One!

Jason, Andy, and Sam clean up the Merlotte’s bar. We know that Sam has told his compatriots that he’s a shapeshifter, because Jason is asking Sam all sorts of questions about it. Andy looks annoyed, and I maintain that something is UP with Andy. Sam tells Andy and Jason that their best bet is to leave town.

Jason: Well, shouldn’t we think about getting the law involved.

Andy: I AM involved!

Poor Andy doesn’t get any respect.

Jason wants to become his own law, because he” read a book about this, and this is Armageddon.” Wow, Jason read a book? Can we have a moment of silence? (Also, between Jason’s book and Bill’s “Gods and Monsters of Ancient Greece” book, this is totally a do-it-yourself monster-killing zone.)

“This is the oral history of the zombie war,” Jason says. “We need weapons. Lots of ‘em.” When Sam protests that guns are not the answer and that “these are our friends; this is our town,” Jason counters: “Sometimes you need to destroy something to save it. That’s in the Bible. Or the Constitution.” Wow, Jason. Maybe reading just isn’t for you.

Sam sees Arlene’s (adorable) children peering through the window of Merlotte’s, but when they see him they retreat into the woods. He chases them down (it’s kind of suspenseful because at first it’s not clear who they are) and finds out that they are hiding from their mama, and haven’t eaten “since the day before yesterday.” Awwww. Sad, starving children.

Jason and Andy head to the Sheriff’s Office to arm themselves. Sam warns Jason, “You’re going to get yourself killed, and probably a lot of other people as well. Just think this through.” “The time for thinking is over,” Jason says. Ha. “Uh-huh. It’s time for action.”

Andy thinks that Sam might be right, but Jason scoffs. “Has he been to leadership conference? Has he had paramilitary training?” (Having seen both of the above, I think we can all join together and say, “HA HA HA.” Jason has an advanced degree in Accepting a Handie Whilst Submerged.)

Sam calls Jason a “damn fool,” and Jason proves it by walking into a tree. Sam leads the kids into the bar (ha), and Jason yells at his back, “By the way, you’re welcome for me saving your life!” Jason calls Sam an asshole and Andy says, “Welcome to my world, Jason.” They squeal away in Jason’s truck.

I’ve been standing up for Andy lately, but this reminds me that he was a terrible detective, season one.

Lafayette stands guard on his porch, while Sookie sits in a chair. She gets a text from Bill! Yippee! “From five hours ago!” Sookie complains. “Dammit. I’m getting a new phone as soon as Eric pays me.” Lafayette is surprised to hear that Sookie’s also working for Eric. Bill’s text says that he’s not coming home until “tomorrow,” which I guess is “tonight,” in vampire speak? “Then I guess we better not plan on him saving us,” Lafayette snarks.

Inside, Tara is trying to convince her mama to let her go. Tara claims that if Eggs dies, she’ll lose her one shot at true love. “Girl, you don’t want true love,” Tara’s mother replies. “True love will rip you open. It’ll tear you up.” Haha, what? (Also, “true love” sounds a lot like “True Blood.) Tara swears that if her mama lets her go, she’ll forgive her for everything. “You know that is a lot. And it’s a one time only offer.” (You may recall that Tara’s mother was a raging alcoholic.)

Tara says a whole bunch of crazy bullshit about how God is really the Devil. She says, “That’s Satan in your motherfucking Sunday hat,” which made a lot more sense when Lafayette said it re: Eggs. Tara uses her Guilt, Manipulation and Religious Mumbo-Jumbo 101 skills and begs her mother to do something selfless. Blah blah blah, Tara. Mama gets on her knees and starts to pray.

Outside, Lafayette asks what it was like inside Tara’s head while Tara was possessed.

Sookie: Like there was no limit. Like anything could happen and… it probably will. And you could feel your insides expanding, but there’s also this emptying out of everything right at the very center of your being. And you don’t want that to ever stop. Ever.

Say WHAT? It kind of makes sense in writing, but hearing it out loud, this sounds like Crazy Talk.

But Lafayette says, “Damn, that sounds nice.” How long until he has the crazy eyes? (In fact, we see a shot of him with lots of eye-white showing, and then another with almost none. It’s basically saucer-eye foreshadowing, in my book.)

Sam serves up sandwiches and french fries to Arlene’s kids (Coby and Lisa– thanks again, IMDB!). (The fries look amazing.) The kids want answers about whats wrong with Arlene. Sam says she’s sick, but the kids counter that she “seems crazy.” “She’s always kissing Terry, and doing other gross stuff,” Lisa says. “And her eyes get weird.” Oh dear Lord, tell me she isn’t having sex in front of her kids.

The kids conclude that a vampire would know what to do (Kids: Smarter than Everybody Else in this Town). Lisa asks where Vampire Bill is, and Sam thinks that he’s still in Dallas. “Don’t you know any other vampires?” Coby asks. Ouch. Sam’s one of those people who just has a Token Vampire Friend. (Cue the loon.) (Literally, and I know it’s a loon because of the Bum Bum Song.)

Back on Lafayette’s porch, Sookie inquires after the health of Lafayette’s leg (as you may recall, Ginger– Fangtasia’s resident fangbanger/whore– shot him).

Sookie: How’s your leg?

Lafayette: Better than ever.

Sookie: Huh. How’d that happen?

Lafayette: Eric made me drink his motherfucking blood, is how that happened.

Sookie: Me too! He tricked me.

Lafayette: Somebody need to slap that bitch.

Sookie: I have!

Lafayette: Look at you.

Sookie asks Lafayette if he’s had any dreams about Eric, and he says that it feels like Eric is always in his head. He admits that he’s been having “sex dreams, all kind of nasty and… fantastic. Which freaks me the fuck out, because I hates that motherfucker, more than you will ever know.” Ha!

Tara’s mom comes out of the house crying, and says that she can’t stay in there with Tara, “saying those things that break my heart.” She says that she’ll keep guard while one of them goes and sits with Tara. “She can’t hurt you like she’s hurting me,” Tara’s mom sniffles. Turns out that Tara’s mom taught Lafayette how to shoot, when white boys at his school were giving him trouble. Backstory!

Also, turns out that Tara’s mom shoots cats with a BB gun? “You shot cats?!” Sookie asks. “Only when they went to the bathroom in my yard,” Tara’s mom replies. But… that’s where they’re supposed to go. They’re cats. Lafayette hands over the gun, which definitely feels like Bad Idea Number Two (we’re about to lose count).

Sure enough, Bad Idea! Tara’s mom turns the gun on Lafayette and Sookie, and demands that Lafayette unlock Tara’s fuzzy purple handcuffs. She shoots the gun to show that she’s serious, and Lafayette falls to the ground, PTSD’ing (people PTSD all over the place on this show). Sookie runs to his side.

Sookie tries to convince Tara’s mom that this is a mistake, but she says, “I’ve got a chance to win my baby back for real!” (I want my baby back baby back… Chili’s baby back ribs.) Sookie gest Lafayette’s keys out of his pocket, noting a heavy-looking little statue on the table next to her.

While Sookie goes inside to de-cuff Tara, Lafayette looks up at Tara’s mom and sees that… holy shit, she’s Eric now. Eric in Tara’s mom’s dress, in the light of day. (Ha! And we know now that Alexander Skarsgard is no stranger to cross-dressing.) Eric is IN HIS HEAD. (Just like he saw Andy as Eric, back in the Merlotte’s kitchen.) I am so happy to see Eric. It would only be better if it was REALLY Eric.

At first we’re hearing what Tara’s mom is saying in Tara’s mom’s voice: “I cannot let you keep me and Tara apart.” But then it turns into Eric’s voice: “And that’s why I’m going to have to kill you.” Eric cocks the gun (ha!) “I thought you wanted to be a vampire.” Not anymore! Lafayette shakes his head, and Eric kneels to his level. “You know how you feel with my blood inside you? Being a vampire is like that, times a million… Bye sweetheart.”

He looks so yummy in the daylight. Yum yum yum. (He looks great in every light, really.) Of course, this doesn’t even make sense. To make Lafayette a vampire, Eric would drink his blood– not shoot him. I mean, I guess he could shoot him first.

Anyway, Sookie and Tara come out and find Lafayette cowering and Tara’s mom standing exactly the way they left her. Strangely, despite Tara’s freedom, Tara’s mom has not lowered the gun.

Sookie gives Tara the keys to her car (now they have her house AND her car– and I’m sure that’s not the last of the indignities), but not before getting her two cents in: “You are being a fucking idiot.” Thank you, Sookie. Thank you. Seriously. Anna Paquin is actually really good in this scene. She’s tapping into a deep reservoir of hate, or something.

Sookie’s yellow car matches her yellow dress. Yesterday I was watching WHEN HARRY MET SALLY, and in the opening scenes Sally’s yellow shirt matched her yellow car. Is this a conspiracy, or what?

As Jason and Andy drive up to town hall, Jason is wondering aloud whether Sam has ever turned into a dog and had sex with a lady-dog. Andy tells him that’s bestiality, but Jason points out that there’s no human involved. It’s just nature! Ha, Jason, glad you’ve put your thinking cap back on. An older lady streaks by in her underwear, unraveling a roll of toilet paper. Wow. Didn’t really want to see that. (And the old person nudity gets worse later… “times a million.”)

“I ain’t letting weird shit like this take over my town,” Jason says. “No. Fucking. WAY.” (Ha ha ha.)

Some really horny woman (okay, all of the people with the crazy eyes are really horny) is standing guard in the lobby at Merlotte’s. Someone has graffiti’d the place with phrases like, “Fuck Authority.” Really? That looks a little production design-y, to me. “Fuck fuck fuck fuck,” would be more realistic. “Authority” is a big word for a person with bug-eyes to spray paint on a wall, don’t you think?

Also, there are anarchy symbols everywhere. Isn’t anarchy an ideology, too? Wouldn’t they be painting Greek symbols, or something? Just saying.

The girl loses interest in Andy when she sees that Jason is there. Poor Andy. Jason decides to “handle” the girl, but even Jason is uncomfortable when she climbs up on him like some crazy koala.

Andy opens the ammo closet, but before he can take anything, Sheriff Dearborne (wearing only boxers from the waist down) pops into the room and forces Andy to square dance with him, at gun point.

We know that Dearborne has the saucer eyes, and his behavior obviously shows it, but for some reason Andy still gets a REVEAL of the crazy eyes, when Dearborne lifts his head enough for us to see his eyes, under his cowboy hat. Andy wrestles away Dearborne’s pistol, and the Sheriff runs off to wherever he came from.

Okay, Tara’s mom STILL has the gun on Sookie and PTSD-ing Lafayette. Hello, overkill. Sookie convinces Tara’s mom to lower the gun, and just as she lowers the gun, Sookie throws the little wooden statue-thing at her head. Ouch! Lafayette grabs the shotgun and he and Sookie run to his car. (Are you impressed that I know the different between a pistol and a shotgun this week? When I didn’t know what a paintball gun was, a few weeks ago?) (I’m still not sure that I know the difference. I might be all wrong about this.)

Lafayette totally drives a top-down pimp mobile, featured fuchsia seat coverings and a leopard print backseat. Nice!

Sam and Arlene’s kids sit in his truck in the parking lot of Fangtasia. (It’s closed, and the sign reads, “Sorry, We’re DEAD.” Ha.) Lisa asks Sam if he knew her daddy, and he says that he didn’t: Arlene split up with him before he came to town. Assuming that Lisa is about ten… Sam is incredibly faithful to Bon Temps, considering that he hasn’t lived here all that long.

Sam heard that Lisa’s dad was “a bit of a wild card… a big personality.” Lisa doesn’t even know what her dad looks like, because Arlene cut him out of all of the pictures she had of him. “All I know is his name is Dwayne and he tattooed Mama’s name on his stomach,” Lisa says. She has wavy red hair and freckles, and I like her better than many of the adult actors on this show.

“Well, he must have loved her a lot,” Sam says. “‘Cause you know that hurt.” Okay, why are we hearing so much about Lisa and Coby’s absent father? Why is this being planted?

Sam hears Ginger’s car lock, and sees her walking across the parking lot in a bikini top and Daisy Dukes (I think that’s what you call whorishly short short-shorts). He gets out of the car (don’t leave the kids in the hot car!) and runs across the parking lot. He yells, “Excuse me!” and scares the CRAP out of Ginger. Looks like she has what one of the writers at my office calls “scary-osis.” It’s probably because she hangs out with vampires, and they sneak up on her ALL the TIME. (And they’ve glamored her one too many times. Her mind is addled.)

Sam asks if he and the kids can wait inside until after dark. Ginger says she can’t let anyone in without Eric’s permission, but Sam offers her $100. We don’t see the outcome, but I’m pretty sure they’re in. Eric really needs to invest in a better human.

The thing about Ginger is that she’s pretty much the fangbanging, probably V-using, equivalent of a coke whore. She has scabby vampire bites all over her neck, she’s trying to look a lot younger than she is. Sitting up close to the TV… she was scarier than a vampire.

Sookie and Lafayette race down a road, surrounded by a dense, verdant forest of… ferns or something. Not evergreens. (By that I mean, not majestic oaks… it’s looking non-California. Good job!) Lafayette says that he’s the only one who can use the gun from now on, and Sookie instructs him to shoot Maryann in the head. THANK YOU. (But it probably won’t work.)

Tara gets to Sookie’s house and finds Eggs sitting at the kitchen table with his head bent down. He’s like a powered-down robot. When she approaches him he sits up (with his big eyes) and says, “Baby, where you been? I was so scared.” Tara tries to get Eggs to leave with her, but of course Maryann is already there.

“You made me eat somebody’s heart!” Tara says. “And you loved it,” Maryann responds. “Admit it.” Ha. Because hearts are for lovin’. We find out that somehow Tara summoned Maryann when she (flashback) had that exorcism and stabbed that not-really-there crazy-eyed version of herself. “You saw you, through me,” Maryann exposits. Miss Jeanette was a fake, but “ritual is a powerful thing. And calling forth that kind of energy has consequences.”

When Maryann killed Miss Jeanette, she thought she was a vessel. But she wasn’t. Oh, I guess she thought Daphne was a vessel, too. And now Sam? Ugh. Keep trying, Maryann. And by that I mean, you’re ruining everything.

Maryann vibrates, and Tara says, “That doesn’t work on me anymore.” Really? Why is that? It should totally still work on you, Tara. Then Maryann punches Tara in the face (haha, there has to be at least one face-punch a week, by mandate), and that totally works. Welcome back to the crazy eyes, Tara. I think Sookie said it best: “You are being a fucking idiot.”

Tara and Eggs run upstairs, presumably to have crazy sex.

Just then, the townspeople who witnessed the “smiting” of Sam Merlotte show up. I have no idea why they’re just arriving now, seeing as how the smiting happened… last night. And it’s late afternoon. They tell Maryann that “the god who comes” came and smote Sam. They have Sam’s clothes as proof.

“You fucking morons!” Maryann screams. Then she makes them all hear a screechy noise in their heads, which totally happened in one of the X-MEN movies. “Must I do everything myself?” (Also, I used a really similar sound in one of my projects in some film class back in college. Haha, good choices.) (Bad choices.)

These poor actors playing the saucer eyes… everything they’re doing reminds me of acting class, 101. Let’s access our inner child! You’re a tree! You’re a hippo! You’re afraid of the light!

Jason has tied up the girl at the police station (not in a sexual way) (why are there still there?), whose name is Rosie. He tells her that he won’t take advantage of anyone who’s fucked up, although once he had sex with a girl who passed out halfway through because she was fine when it started. Classy!

The policeman who is not Andy or Dearborne comes up behind Jason and puts a pistol to Jason’s head. “Shoot him,” Rosie says. “I want to see what happens to his head!” The policeman asks what that game is called with the one bullet in the gun. “Chinese fire drill?” “Russian roulette,” Jason responds. “That’s it,” the policeman says… and pulls the trigger. Jason screams, but luckily the gun just clicks.

Andy comes in and tells Kevin (oh, that’s his name) to drop the gun. Kevin spins around and shoots Andy. Nooo! Andy! Jason’s about to shoot Kevin, but he finds out that Andy’s wearing a Kevlar bulletproof vest… unfortunately, he doesn’t have one for Jason. “Well that sucks!” Jason fumes.

Hoyt’s house. We see pictures of Hoyt with his father, and… I think those are real pictures of Jim Parrack’s dad. And a dorky Prom picture of Hoyt… or at least I think it’s Prom. It’s just a close-up of Hoyt. Where’s the girl? Ha.

Hoyt’s watching wrestling and holding a baseball bat. I wonder if he’s guarding himself from the town, or from Jessica (the sun’s still out… for now). Maxine is in the kitchen, making a casserole for “the god who comes” out of Snicker’s bars, hot sauce, chips, cheese, and other incongruous and uncooked ingredients. (At least she’s not making a giant meat sculpture in the shape of horns).

I guess Maxine thinks that Maryann is getting married? She says that Maryann’s about to have the happiest day of her life, and that “there ain’t a woman who’d go through with it if she knew the truth.” Hoyt tells Maxine that they are NOT going to the party, and of course Maxine is PISSED. We find out that when Hoyt’s daddy died when he was ten, he promised that he’d take care of his mother. “I’ve already let enough bad happen to you,” Hoyt says.

“You haven’t let enough bad happen to me,” Maxine says. She wanted to go to Merlotte’s, drink herself silly, and hook up with rednecks… but she didn’t, because she had to take care of Hoyt. “You ain’t yourself right now,” Hoyt says, in his defense. Maxine says that Hoyt is a “pansy” like his father.

Okay, so the story is that Daddy was a hero who defended Maxine and Hoyt from a burglary… but saucer-eyed Maxine reveals that Daddy was a “secret drinker,” maybe a “closet homosexual.” “That man just liked to dance more than a normal man should.” Ha. Also, Daddy shot himself in the head, “because he was too weak to handle his responsibilities.” Ouch. (Literally and figuratively.) Maxine said it was a burglar for the life insurance money.

Hoyt does that thing where he grabs onto the doorframe (which he also did during the cheese sandwich argument a few weeks back), and I bet that right about now he’s wishing he hadn’t walked away from loved-him-and-is-now-going-to-kill-him Jessica for his terrible, terrible mother.

Two funny notes about this scene from close up: There’s a box of Zatarain’s in the background (nice little Southern-style product placement) and Maxine’s wearing two colorful kids-style Band-Aids over her vampire bite marks.

Okay, that fat old man who is one of the main Maryann followers is interpretive dancing naked around the horned meat sculpture. My eyes! It burns!

Sookie and Lafayette stand off to the side, and Sookie’s increasingly pissed that these people are defiling Gran’s house. Zap them with your magic hands, Sookie! “I almost got raped in Dallas,” Sookie says. “But this is so much worse.” Okay, one of the more awkward sentences ever uttered on this show.

“Don’t take it personal, Sook,” Lafayette says. “They ain’t themselves. And they not doing it on purpose.” “The first time I met Maryann, I knew there was something seriously off about her,” Sookie says. “She was thinking creepy foreign stuff and I could tell it wasn’t good.” Haha, creepy foreign stuff. But moving past that funny bit, Sookie is blaming herself for letting Maryann get this far.

“How come there’s so much wrong in the world, Lafayette? How come so many people are willing to do bad things and hurt other people?” “Because they’re weak,” Lafayette answers. “Well, I am not weak,” Sookie says. “And I am not afraid. I am gonna kick that bitch’s evil ass out of my gran’s house and then you are gonna shoot her.” YES! “In the fucking head,” Lafayette adds.

So it turns out that Arlene and Terry are sitting in a tree branch above Sookie and Lafayette, guarding the house. They jump down to try to collect a fine, because they are annoying. Lafayette tries to bribe them with drugs, and Arlene isn’t buying (“drugs are for losers”) until Terry says, “It’ll make sex real nice.” Ha. (Terry also asks for Oxy… uh oh. When he’s not bug eyed, he’s PTSDing AND addicted to Oxy? Maybe?)

They went ALL of the drugs (oh great, time to OD). “Because if a job ain’t worth doing all out, why order a hamburger unless there’s steak at home or something like that?” Arlene says hilariously, and she and Terry scramble to catch all of the drugs that Lafayette is scattering on the ground.

“Here, chicky chicky,” Lafayette says as he scatters the drugs like chicken feed. Sookie runs ahead to the house. Lafayette is supposed to follow her, as soon as he’s done.

Okay, usually my favorite Eric and/or Jessica scenes happen at the beginning. This week we got the Eric-as-Tara’s-mom thing, but REAL ERIC doesn’t show up until minute 36. (I guess I shouldn’t complain. Last week we only got dream-Eric… but that was at the beginning, AND it was sexy.)

Sam, Lisa, and Coby are sitting in a black leather booth. Eric is sprawled across the top of the opposite side of the booth, looking like a model at a photo shoot. He’s wearing a black shirt, unbuttoned halfway down his chest, and a gray suit. Will you trust me when I say that he looks so very good? And Pam’s standing behind him, wearing a shiny leather-or-pleather red dress, cinched with a black belt.

“Why should I help you… Shifter?” Eric asks. Sam says that he needs Eric’s help… “And hopefully someday I might be able to give you something you need.” Okay, Sam: “Because we need your help,” does not exactly answer the “Why?” No wonder Eric doesn’t like you!

I am trying to remember any interactions Eric and Sam have had in the past. I know that Eric came to Sam’s bar once, last season. Is there anything else between them? Other than the fact that Sam hates Bill? (Eric more or less hates Bill, too, but at least they’re both vampires.)

“Give me Sookie Stackhouse?” Eric asks. (Pam makes a really annoyed face. Jealousy?) “No!” Sam says. “That’s a shame,” Eric says. “That would be a tribute I would not soon forget.” “I’m not here to give you tribute, Eric,” Sam says. “No,” Eric says. “You’re here to request my help, based on a hypothetical future in which you return the favor.” Zing! The kids are staring at Eric, rapt.

A word about Eric (another word): He is so much different than he was in Dallas. We’ve been seeing him in Sookie and Lafayette’s heads for the past few weeks… but mostly in those sexy dreams. And before that, we were seeing him with Godric, and amongst other vampires. There’s something deliciously cold (and scary) in the way he’s acting around Sam. Eric’s back in his element. (It’s funny to imagine that just prior to this, he might have been boo-hooing over Godric.)

Eric sits up, still on top of the booth. He’s already really tall, so he must be towering over Sam and the kids, although it’s hard to tell from the camera angle. “But you are known to not be friendly toward those like me,” Eric says. “Why should I trust you?” Sam’s response: “Because until somebody starts trusting somebody, we’re all single targets, just ripe for the picking.”

Okay, Sam: Not exactly your best tactic, there. For one thing, Eric’s not a target. He’s a vampire, and Maryann can’t do anything with vampires. Also, Fangtasia is in Shreveport, not Bon Temps. Basically, Eric’s only investment in the matter is that Sookie lives in Bon Temps. (And that Bill lives there, but Eric doesn’t really care about Bill.)

“I have no knowledge of this maenad creature,” Eric says. “Although I suspect it’s the bull-headed beast that passed through here recently. Right, Pam?” (“That thing owes me a pair of shoes,” Pam says, and Sam must be thinking, Huh?) Eric says that he knows someone who “might be able to offer something useful.” Hmm, one guess: Is it Sophie-Anne? “Might be able to,” Eric cautions, emphasizing the “might.”

“Can we see your fangs?” Coby asks, and Eric obliges. This is a nice foil to the scene last season where the kids asked Bill to show his fangs, and he just put candy corns on his teeth. (Bill is kind of a pussy vampire.) Cody sits forward, grinning, while Lisa pulls back, her hands clasped to her chest.

“Don’t you like vampires, little girl?” Eric asks. “Eric!” Sam yells. (Don’t be a pedophile, Eric!) “Our almost-stepdaddy hated vampires,” Lisa says. “But we don’t.” “He went on a vacation with Jesus,” Coby adds. (Yeah… Sookie killed him.) (In self defense.) “You make me so happy I never had any of you,” Pam says to the kids.

“Aw, come on, Pam, they’re funny,” Eric counters. “They’re like humans, but miniature. Teacup humans.” When he says “teacup” he makes a kind of scary face at the kids. I love this scene! Saying “teacup” evokes the idea that humans are cute little pets, like teacup Poodles.

And just when I thought it couldn’t get any better, here’s some Swedish!

Pam: I hate them. They’re so stupid.

Eric: But delicious.

The word for “delicious” sounds like “delicate.” Deli-cota. (Also, eating children? Kind of pedophile-ish. Watch it, Eric.)

Sam interrupts the wonderful-ness of Pam and Eric. “So, can you call this other person, who might be able to…?” “Better yet, I’ll go see her,” Eric says. “But I must leave right away.” Okay, it’s definitely Sophie-Anne, because this is pretty much exactly what Bill said yesterday.

Eric walks Sam and the kids out of the bar. “Please get those horrible things out of here,” Pam says in Swedish, re: the kids. “I’ll be smelling them for a week.” One of the words is “stinka.” Eric laughs. LOVE this scene.

And the fun’s not over yet! Exterior Fangtasia Parking Lot- Night, Sam is getting into his car. “You have my cell phone number,” Sam says to Eric. Haha, vampires and their cell phones. “I’ll let you know if I learn of anything of use to you,” Eric says. Speaking of cell phones, maybe he should call Bill before he goes on EXACTLY THE SAME QUEST that Bill’s already on. Whatever.

Eric buttons up his suit, and bends down to address the kids. “Goodnight tiny humans,” he says, and winks. (Um, Eric is great with kids, if you need a babysitter.) Then Eric looks to the sky, and…

WHOOSH! Eric flies into the night! Straight up into the sky. Every time I watch this moment I laugh my head off. That’s just my natural reaction. It’s so fucking awesome, and crazy. Something about the wink to the children gives this a Santa Claus-y vibe. Ha. I knew that Eric could fly (Wikipedia research, his ability to get to Dallas so quickly), but this is still so delightful to see. Fuck Anubis Air!

(“I’m all hot and bothered now,” Roomie says. Tell me about it!)

Coby’s hair is blowing in Eric’s dust. “Whoa, he can fly!” Yes, yes he can. Sam hustles the kids into his truck (wow, pedophile line of the night, courtesy of me– Eric’s in my head!), but looks to the sky before he drives away.

Sookie enters Gran’s Noir House of Horrors and finds A) A woman who has chopped her finger off with a giant knife, and is singing “lo lo bromeus” (the crazy Maryann chant) to the tune of “Row Row Row Your Boat.” The finger is a present for “the god who comes.” He loves presents! and B) A crazy man sitting in her sink, who looks a little bit like the painter brother from “Wedding Crashers.”

But that’s not the worst part. The hairy fat old man who was former dancing naked outside is lying on the kitchen floor. He grabs Sookie’s foot. “Remember when your Gran was laying here, all bloody and dead?” He wants Sookie to lie down next to him, and all of the crazies start scream until she agrees. Ugh, most Sookie get almost-raped every week? Where’s Bill?

The fat guy tells Sookie that she smells good, and she can’t return the compliment. “It makes you feel more alive, being in the presence of death, dun’t it?” he says. Oh, I think he’s the coroner. He tells Sookie that it “ain’t natural and it ain’t right” to have sex with a dead guy. Okay, I get that vampires are “dead,” but they’re not dead dead. They’re basically alive, for all intents and (sexual) purposes.

You would think that at this point, Bill would know that Sookie’s in trouble. But no, here’s department store music, fake seagulls and (actually kind of awesome) sculpture of a lady, made out of shells. It’s Sophie-Anne’s Day Room! Bill and Sophie-Anne lounge in deck chairs– in their bathing suits– while Hadley (in a red-checked Americana bikini) sits next to the pool, swinging her feet in the water. They’re “sunning.” Vampires: Just like us!

On the other side of the pool, a bunch of beautiful humans stand at attention. Sophie-Anne offers Bill something to eat before they play Yahtzee (Really? Out of all the fun things to do?), and he says, “Oh, nothing for me, thank you. I only feed from Sookie.” Wow, how romantic. Hadley looks up at Bill with interest. “Why on Earth would you do that?” Sophie-Anne asks.

A word about Sophie-Anne: She’s wearing all white. Back in the day (around the time of the… ding ding ding, Industrial Revolution) wealthy women would wear all white, because what with all the soot in the air, keeping whites white was a sign of wealth (because you’d have to change your clothes constantly). What with all the blood she encounters, I’m guessing that Sophie-Anne also needs to change clothes frequently.

Bill’s done with his lazy-in-the-sun act, and implores Sophie-Anne to let him go, if she’s told him everything he needs to know about maenads. But she calls Latvian-Ludis over. Ludis already has a set of bite marks on his neck. “This is my good friend Bill Compton. Would you allow him to feed from you?” “Yes, of course,” Ludis says. Bill doesn’t want to do it, but Sophie-Anne insists. And she’s the Queen and all. So Bill has to.

“I will have the sex with you,” Ludis says agreeably. Oh my goodness, how Borat can you get? “That will not be necessary,” Bill says. But Bill drinks from him, because he has to. Ho hum. Ludis is gasping, but he’s into it. Sophie-Anne watches, fangs out. “I love watching two men together.”

Across the pool, we see that one of the female attendants is topless. I bet they didn’t even pay her extra.

Maryann and Carl find Lafayette and his gun. Long story short, Lafayette tries to shoot Maryann, but somehow shoots Carl in the head. Carl’s dead. Ho hum. Maryann gives Lafayette the crazy eyes. Annoying! But not surprising.

Bill, Sophie-Anne, Ludis, and Hadley play Yahtzee. Everyone else is still in pool wear, but Bill’s back in his black shirt and gray pants. (Oooh, Eric’s gonna be pissed when he sees that they’re wearing almost the same thing. Haha.) Finally, Sophie-Anne tells Bill that maenads are waiting for “the god who comes.” “Does he ever come?” Bill asks. “Of course not,” S-A replies. That’s what she said?

“Gods never actually show up,” S-A says. “They only exist in humans’ minds. Like money. And morality.” (Wait, I thought that Maryann wasn’t human anymore.) Basically, Maryann will leave if she believes that she successfully summoned forth Dionysius, who has to “ravish her, quite literally devour her, until she’s lost in oblivion.” “So she seeks death, the true death,” Bill says. “The one thing she’s evolved beyond.” Are they using evolved the right way?

“Ironic, isn’t it?” Sophie-Anne says. “They’re really not that smart, these maenads.” Also, Dionysius isn’t necessarily non-existant. He just never comes. Maryann believes that if she sacrifices and eats part of her vessel while surrounded by her familiars, that Dionysius will appear. She can only be killed at the point when she willingly surrenders herself to her god. (Maybe Eric can play the part? Maybe?)

Maenads like to use supernatural beings as their vessels, but not vampires, because vampires lack a beating heart. Whew! “They’ll try any other being that straddles the two worlds.” They’re constantly revising their recipe to find the one magic element that will “make it happen,” Sophie-Anne explains. “Idiots.”

Just then, one of S-A’s secret service dudes beckons. Finally, Sophie-Anne calls Hadley by her name. Hadley asks Bill how cousin Sookie is doing, and Bill appears not at all shocked by this “revelation.” What’s up with that? Bill smiles a lot in his awkward Bill way and says that Sookie’s good. (Um, note exactly.) And now Hadley knows that Bill’s feeding on her all the time. Exclusively. Awkward.

Hadley says that she’d love to talk to Gran sometime, “but I owe her so much money.” “I think it’s best that you are not in touch,” Bill says, not wanting to break the horrible news that Gran is deader than dead. “Oh, I know that there’s no place for me in that world anymore,” Hadley says. “I still think about ‘em, though.” Hadley is a human in a vamp world, Bill is a vamp in a human world. And they’re both in relationships with the opposite species. So much in common! Whatever.

Sophie-Anne tells Bill his “friend Mr. Northman” is here. “Then it’s definitely time for me to go,” Bill growls. “This alpha male posturing,” Sophie-Ann says. “You two really should just fuck each other and get it over with… I could watch.” What if Eric fucks his girlfriend in her dreams? Close enough.

“Enjoy your restricted diet,” Sophie-Anne says as Bills leaves. “I do look forward to meeting her.” She’s practically an in-law, what with the whole Hadley situation. As soon as Bill leaves, S-A gets a Yahtzee.

Eric and Bill run into each other on the steps-in-the-water in front of Sophie-Anne’s palace. Eric is towering over Bill, because Bill is so short. Civil War era! Eric tells Bill that he’s there to “kick a maenad’s ass,” and Bill postulates that Eric’s just trying to “look like a hero to Sookie.”

“Oh Billy,” Eric sighs. Billy! I love it. “This paranoia, it’s really quite unbecoming,” Eric scoffs. But then he adds, “Has she, uh, mentioned me?” “No,” Bill says. “That was really quite desperate of you, tricking her into drinking your blood so that she became attracted to you.”

“Unlike you, who fed her your own blood the very night you met,” Eric points out. “How do you know that?” Bill asks. Eric: “So you’re not denying it?” Bill says that he was saving Sookie’s life. “How convenient,” Eric purrs. Once again, Bill warns Eric to stay away from Sookie. “Or I will tell the Queen that you’re forcing humans to sell vampire blood for you.”

Eric: You wouldn’t.

Bill: I won’t. As long as you never come close to Sookie ever again.

Eric: I don’t like threats, Bill.

Bill: Neither do I.

Okay, A) Eric is Bill’s Sheriff, and B) I’m sure Eric will get close to Sookie again really soon. If not physically, then in her dreams. C) Eric runs his hands through his hair a couple of times, and it’s a great choice. Love his new hair. D) I like the water playing off their faces.

But the real question at hand here: How much does Sookie drinking a GALLON of Bill’s blood in 102 have to do with her attraction to him? She drank like one sip of Eric’s blood and she’s already having these crazy dreams. What came first in Sookie’s attraction to Bill: the chicken or the egg? (I think she had a sex dream about Bill in 101? But it was a nightmare… so, I don’t know.)

Jason and Andy park far away from Gran’s house. “Element of surprise,” Jason says. They eat some candy bars to load up on carbs. “You think Sam could turn into a chicken and lay his own egg?” Jason asks. “Wouldn’t that be weird, eatin’ something that just came out of you?” (See that? SO much chicken talk this week!)

“What kind of a perverted brain would even think of something like that?” Andy scoffs. Jason confronts Andy re: why Andy never liked him. Is it because Jason gets more women? Not entirely. Andy thinks that Jason has had everything too easy, but when Andy lists the reasons, Jason’s like, what are you smoking?

Andy: You were all-state quarterback.

Jason: You think that was easy? I’m starting to have knee issues. And I ain’t even thirty yet! What else?

Andy: Well yeah, women do just throw themselves at you. You don’t even have to do anything.

Jason: Actually, I do. I work out like a motherfucker. And I watch a lot of porn, and learn stuff. What else? My best friend killed my grandma and my girlfriend. I come from no money. My mama and my daddy died when I was eleven.

Andy: So did mine!

They don’t exactly work their shit out, but Jason says that he and Andy are the ones who have received the calling to save this town, “so obviously God wants us to bury the hatchet.” It’s all up to the two of them, and they can’t fuck it up. Hopefully it’s not up to the two of them entirely, because they are the town’s two biggest fuck-ups.

Jason: This town may be full of crazy rednecks, and dumbasses, but they’re still Americans, Andy.

Andy: And that used to mean something.

Jason: It still does.

Jason continues to do a great George W. Bush imitation. They get out of the car and gather their munitions.

Sam sits on the porch of his picturesque trailer, holding a gun. Suddenly Bill is standing in front of him. Time for enemies to unite!

Sookie’s still on the floor, being spooned by the gross guy. “Mike, enough with the foreplay,” she says. “Let’s just do it already.” She wants to be on top, which puts her in the position to grab a frying pan and beam Mike. Why didn’t she do that an hour ago? (Also, nice of Bill to find Sam first. I guess Sookie wasn’t freaked enough for him to get the bat-signal?)

Sookie goes upstairs in search of Tara, and finds a tattooed guy cross-dressing. Next room, she finds Tara and Eggs destroying all of Gran’s stuff, to make a nest in Gran’s bed. The next contains a giant… EGG. Hahahaha. Lafayette comes up behind Sookie, and he has the saucer eyes. Sookie SCREAMS.

Cut to black.

In two weeks: Season finale! Betrayal! Revenge! Maryann in a wedding dress! Eric on the floor, being ravaged by Sophie-Anne or something. Sookie crying and being sorry about something, and wearing a white dress, too.

I can’t wait until next season. More Eric, please. No more Maryann, PLEASE.

xoxo…

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Los Angeles es En Fuego

August 30, 2009
I took this yesterday: Smoke on the horizon.

I took this yesterday: Smoke on the horizon.

Ugh, you guys. It’s fire season. The ash has finally infiltrated my neighborhood, and I am hiding inside (I get terrible sinus headaches from this crap). (Also, Los Angeles isn’t really that yellow. I enjoy futzing the colors in iPhoto.)

It’s also in the 90s (Fahrenheit… duh) right now. I’m more or less impervious to heat (Roomie is perplexed when she comes home to find me sitting pretty in what she considers unlivable heat), so the fact that I’m complaining means that it’s HOT.

I am heading to the water, to escape the heat and the ash (haha, I think that’s also what one does in the event of a volcano?). But I’ll be back for “True Blood” and “Mad Men.” Of course. SO excited that Eric and Pam are back tonight. So pumped. Of course, all of this Maryann ridiculousness is getting old. I know she’s immortal or whatever, but she HAS TO DIE in the finale. Seriously.

Or at least leave us alone. (And by “us” I mean, Bon Temps.)

Until tonight, here’s a little something that will bring more heat to your life, but in a good way: Movieline’s list of fun facts (and clips) of/about Alexander Skarsgard. I recommend that you follow this with a refreshing cold shower.

xoxo…


Snack of the Afternoon, 8/28/09: STEAMED VEGETABLES

August 28, 2009
Good stuff.

Good stuff.

Because I’m a saint.

But (let’s be honest) I also ate other stuff. I am not trying to be a Model of the Runway here (and even if I wanted to be one, I’m way too short).

I ate the veggies (primarily) because my boss gave them to me. I can’t turn down free food. (And I actually do love vegetables.)

There was another offering on the kitchen door, but I had to pass it up.

Exactly.

Exactly.

Not a big fan of the taste of Sharpie.

xoxo…


Tastes Like Chicken: PROJECT (MODELS OF THE) RUNWAY

August 28, 2009
Goodbye to Malvin and his model.

Goodbye to Malvin and his model.

“Project Runway” (Season 6) and “Models of the Runway” (Season 1) episode(s) 2, Air Date 8/27/09

This is going to be a short one, because… if you love it, you saw it. If you want to see the outfits, they’re on the website. Right? Right. Just a few observations here.

The challenge was that the designers had to create a maternity outfit for Rebecca Romijn. (I always have to stop myself from saying Romijn-Stamos.) (I guess she learned her lesson, because she’s not Romijn-O’Connell.) Of course, this show was filmed a year ago, and currently Rebecca Romijn is not pregnant. (And Heidi Klum IS pregnant… it’s Upside-Down Day!)

So… once again adorable Shirin designs something amazing, and she wins. Her outfit is this gorgeous red dress with criss-cross stitching under the bosoms (ha, why did I say that?) AND a brown jacket with a fun print lining.

The designer named Nicolas reminds me of Ben Gibbard from Death Cab for Cutie. He’s kind of a Leanne this season, in the sense that they cut to him doing snarky interviews all the time. But I don’t like him as much as Leanne.

Somebody bangs some studs into leather, and Ra’mon (I think) says they’ve got another Stella on their hands, and suddenly I realize that I don’t really care about these people. I just want to go back to the All-Star Challenge, where I know everybody’s name!

Also, after watching the All-Star Challenge last weekend (I love you, Daniel Vosovic), it feels kind of lame to watch them design one normal dress in one hour. I want to see four pieces in two hours. If not that, at the very least I want to see a dress made out of the goop from the inside of a lava lamp. Something like that.

“There’s no vocabulary to describe” Malvin designs a conceptual maternity outfit where the pregnant stomach is supposed to look like an egg, but instead it looks like a sling. He uses feathers and wants to make the pants look like chicken legs. Luckily Tim convinces Malvin to drop the chicken leg concept, by reminding him that he is going to have to defend this to Rebecca Romijn.

When Malvin is eliminated, he interviews, “I’m too conceptual for America.” He claims that what he learned is that he’s grounded as a designer and “as a philosopher.” Sure, exactly. What came first, Malvin: The chicken or the egg?

But Malvin doesn’t care what we think. “My voice gets stronger with every struggle that I encounter.”

Mitchell was in the bottom two again, and probably should have lost. Ah well, there’s always next week.

Also, watching wafer-thin models model maternity clothes is hilarious. The stomach-pillows look ridiculous, and don’t seem to sit right. (One of the models actually had a two-year-old, which… wow, doesn’t she wish she could go home at night? Instead of living in the stupid Model House?)

Oh, and also, guest judge Monique Lhuillier was super-cute and had a fascinating accent (I thought it was French, but it turns out she’s from the Philippines). Love your gowns, Monique!

On “Models of the Runway,” Fatma (ironic name for a model!) loves her designer, Logan (who?). She’s like, he told me he bought the fabric with my skin color in mind! I’m not just a hanger to him! But, um… of course he would do that. He wants the outfit to look good on her. Because she’s his hanger. Er, his model. (Looking back, the fabric was just plain white.)

Of course model-abuser Mitchell (all of the models wanted him to be eliminated) picks Fatma, and she fumes and bitches about it, and that’s probably going to come back to bite her in the backside next week when she actually has to work with him.

Erika, who looks twelve (and got a walking lesson last week), gets put on hold for an Arby’s commercial. The other girls bitch that she doesn’t try to make friends with them. She’s not here to make friends! But still, it’s pretty funny how pumped she is about an Arby’s commercial.

And we see some of the girls go to workout boot camp (save your energy for not eating!), while others sit on a blanket, eat, and laugh at them. Ha!

Shirin goes back to her previous model and drops Israeli Matar (so much for cross-cultural relations). And Malvin’s model gets eliminated. But who cares?

Next week on “Project Runway,” they work in teams. Let the drama begin! (Please!)

xoxo…

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More to Shrug: MORE TO LOVE Episode 5

August 27, 2009
Spoiler alert: Goodbye to Heather. :(

Spoiler alert: Goodbye to Heather. :(

Episode 5, Air date 8/25/09.

Okay, everybody. Truncated(ish) review this week. They keep showing the same interviews in the same clothes, and I’m starting to seriously question the chronology and veracity of events. Haha.

Also: Whatever. It’s not like the results are going to affect my everyday life. (To be fair, neither are the results of “The Amazing Race.” But I still love that show.) (They’re all over the world!) (Full disclosure: I only started watching it last season, because of Mike “Where’s My Freaking Medal?” White.)

(Random thought: Some people are apparently calling this show “The Fatchelor,” but what about “More to Schlub?” Right?)

Let’s get to the show:

Kristian eats a waffle with too much syrup… or at least, we see the waffle, and we hear her talking. (Or maybe it was pancakes. I don’t know. Batter!)

“Where’s everybody else?” Malissa asks, as the top six sit around the breakfast table. “They went home!” Snap! I think I like Malissa again. And now she’s the only M(a/e)lissa, which is convenient.

Mandy and Kristian get a note-attached-to-the-big-ring from Luke. “It takes two to tango,” the note says, among other things. They get tango lessons at a restaurant of the Spanish-speaking variety. Kristian gets all sexy-sexy with Luke in front of Mandy. Smooth. (Also, she wears the first of several dresses with really cute prints.)

The left-behind girls make cupcakes for Luke and write little notes for him. (Later Kristian is really mad that SHE didn’t get to be there to make cupcakes for him. HUH? You were on a sexy date with him, Kristian. You’re not making any sense!)

Luke taps Kristian for the first mini-date, and Mandy waits it out at a booth… in the same room? No, I guess she’s in a different part of the restaurant. Luke and Kristian revisit their “sexy” new dance moves and kiss.

Of course, Mandy picks that moment to walk into the room. She gets upset and locks herself into the “Mama” room (the ladies’ bathroom), and Luke comes a-knockin’ to try to console her. So that’s their hot mini-date: Luke trying to convince Mandy not to cry. Spicy.

Malissa gets a note that says she’s going to go to “new heights” on a solo date with Luke. A hot air balloon? PLEASE let it be a hot air balloon! Oh, it’s a helicopter. (Roomie notes that Jillian and Ed took a helicopter ride on “The Bachelorette,” and wonders what’s up with that.)

The helicopter crash lands (just kidding) in a windy vineyard, where Mal and Luke “picnic” at a table under a chuppah (just kidding). Lots of purple decorations. They end up having a great date, which we see in segments.

Luke says, “I’m riding on the clouds with my girl Malissa.” Oh Luke, your lines are epically corny. The lie on a blanket in the shade.

Anna, Heather, and Tali get a note telling them that they will soon “dig in to another date.” Are they going on an archeological dig? Oh, they’re going to the beach. Not quite as exotic, if you ask me.

Tali is mad. Another date in a bathing suit?! Good point, Tali. Welcome to “Humiliation Island!”

Back to the solo-date. Mal and Luke ride a tandem bike. (Roomie sighs. “It’s been my lifelong dream to go on a tandem bike,” she says. Now, that’s the kind of dream that it wouldn’t be THAT hard to fulfill. And I’m totally willing to participate.) (You heard it here, first!)

Oh, this is awkward. Luke breaks the bike. “Fat kid broke the bike,” he sighs. “I wish I could say it never happened before.” (Seriously?) Luke’s interviewing outside, and it turns out that he’s interviewing right next to Malissa, and they both crack up. It’s pretty sweet. In the end they ditch the bike and walk back to wherever home base is, holding hands.

Mal says that this has been the best day of her life. She doesn’t want to go back to the house, and it doesn’t seem like Luke does, either. Aw, I like them as a couple. I think Mal has edged out Heather and Mandy.

During the commercial break, Roomie and I debate who has blown Luke.

Roomie: “Heather gave him a blowie in the castle, I am SURE. What else was there to do?” (I tend to agree.)

Malissa tells the rest of the girls about the date. She screams and puts a pillow over her head. Hehe. She’s so into him! She… loves him. OMG. (That was meant to be ironic. Just so you know.)

Based on this, Anna gives another bummed interview. “She has quickly become Debbie downer,” Roomie notes. Kristian is also really pissed that Mal claims her love. Haha. “She’s gonna cut a bitch,” Roomie says. It’s really so much more amusing to watch this with a peanut gallery.

I hope Kristian realizes what a hypocrite she is. She’s allowed to love Luke from minute one based on… nothing. Who’s she to stop other girls (who have actually had solo dates) from claiming their love for Luke?

Heather cries because she’s not in love with Luke yet. She says that she has walls up and that she feels like she’s falling behind. “She’s just got a sensible head,” Roomie says. “These girls are crazy!” (I think they’ve only been in the house for something like a week.)

Commercials. An ad for the movie, “Love Happens.” Thanks for the encouragement.

Three-person beach date. Luke wants to see the girls confidently show off their bodies. Ugh, Luke. Even if they were size twos, they would likely feel awkward about another bathing suit date. Even plus size model Anna has an issue wearing her bathing suit. And she’s a model!

“Women are strange creatures, man,” Luke interviews, on the beach. He sounds like such a bro/surfer dude, it makes me laugh. “Sometimes when they get to know you more, they become more guarded.” Ah, Luke. Such wisdom. (Also, I think this phenomenon is particularly true when you are dating six girls at once and executing– er, eliminating– them, one by one.)

“Man boobs are out,” Luke announces, taking off his shirt. Heather interviews, “Seeing Luke with his shirt off, he’s more to love, too! It made me feel a little more comfortable.” Okay, did Heather not notice that Luke was overweight before? It’s not exactly a secret.

Luke and Tali take a mini-date walk on the beach. Tali talks about her feelings, and Luke nods and agrees. What else is he going to do? Roomie decides that Tali is too good for Luke. Nevertheless, Tali and Luke make out. Luke interviews that Tali took so long to open up to him. Does opening up= kissing? Ha. Thanks for opening up your mouth to me!

At home, Mal is a mess of emotions. “Now it feels like I’m letting my boyfriend date other people,” she groans.

Kristian interviews in a fretful panic. “He’s got a hot body. Who wouldn’t want to touch that? That scares me.” Roomie and I are doubled over laughing.

Anna and Luke have a private date in a paddle boat. I think they’re in the Venice-canals part of Newport, or maybe Long Beach. Ugh, it’s hard to be more to love in Orange County.

“Put your shirt on, Luke!” Roomie yells at the screen. I second that, for skin cancer related reasons.

On her mini-date with Luke, Heather says that she was sad to hear about Mal’s amazing 12-hour date. “I thought she was a little more confident than that, about our feelings for each other,” Luke interviews. (Luke, you are taking crazy pills. Heather is being perfectly rational, given the situation.) Luke says that his mini-date with Heather awkward, and he’s not sure if their chemistry is growing. (UH OH.) (Whatever, Luke is getting annoying.)

Time for the elimination mixer. Luke calls the girls his “sexy six.” Haha. (Groan.) He interviews that he’s not here to make friends. (I think there’s some unspoken reality TV mandate that at some point in the competition, somebody has to utter a version of this phrase.) He’s here to find a wife!

I think Heather is going home, after the awkward beach conversation. It’s sad, because she and Luke were hitting it off so well. And… Kristian? But I thought she was going to beat somebody with flowers, and we haven’t seen that episode yet.

Mandy tells Luke that she had an eating disorder for most of high school. She wasn’t overweight until she was seventeen or eighteen, because she put weight while recovering and had… a beautiful dress in the interview! Why isn’t she wearing THAT dress at the mixer? I mean, she had to redefine her identity.

Ugh, isn’t it ironic that she gave herself an eating disorder trying to be thin, when she was already thin? And as a result of trying to be too thin, she’s now overweight? Sad.

Heather cries in her time with Luke and says she wants to stay so bad. Luke says some nice things to try to soothe her, but I feel like he’s trying to let her down gently.

Kristian tells Luke she loves him in three languages. (And then in English, so… four.) She says she trusts him with her heart, and Luke says he’s touched. Ugh. I think he’s also a little bit weirded out.

“How does she know Polish?” Roomie says. “I’m floored.” (I’m impressed that she was able to recognize Polish when she heard it.) (I understood the Spanish, but everybody recognizes Spanish.) (In Southern California.)

Tali talks to a lovestruck Kristian and feels “really confused from Kristian’s emotions.” Now she wants to know where she stands with Luke, and marches out to the yard to confront him. A) Finally, we get to see the scene that’s been in EVERY preview, and B) She’s so Israeli. (By that I mean, I admire her ballsy-ness. Unfortunately I’m much more of a New York-style nebbishy Jew.) (Can a woman be a nebbish?)

In the preview it looked like Luke would be giving Tali the smack-down, but he’s actually pretty understanding about it all. Luke tells Tali not to listen to what the girls in the house are saying. “Listen to what I am saying, and listen to what your heart is saying.” Corn!

Time for the rings…

Anna interviews that she regrets not telling Luke how much she feels about him. (I’m pretty sure this is a fairly direct quote, but the “how much” thing is puzzling me, now that I see it in my notes. Quantity or quality?)

Anna gets called first. Shocking!

Malissa gets the second ring.  Not shocking.

Mandy feels like she’s about to break. After the hiding-in-the-bathroom stunt on her date, I wouldn’t be surprised if she’s out. “She has no confidence,” Roomie notes. “And Luke’s all about the confidence.”

But Mandy gets a ring. Hmmm.

Roomie really wants Kristian to go so she can see her reaction. Haha. Girl-on-girl crimes!

Heather interviews that she has never done anything this difficult in her life. Really? Has it really been that difficult, to go on fancy dates? I know she means emotionally difficult, but even still I’m rolling my eyes.

Emme comes out for the dramatic reminder: “Ladies. One ring. Remains.”

One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them.

I think Tali’s out. I hope Heather’s in.

Kristian interviews, “I want to be with Luke forever. I love him.” Awkward.

TALI GETS THE LAST RING. (What didn’t we see her until this week???) Heather and Kristian are out. Kristian makes a blowfish face. She and Heather are both crying. The other girls are consoling them with hugs (smug hugs, I’m sure).

Poor Heather! “I wish I was the one for Luke,” she says. “Even though I’m crying, I’ve never felt this good about myself in my entire life.” Aw, I’m happy that she’s putting a positive spin on it. She’s going to be okay. (And get some dates, fingers crossed.) PS She’s wearing a cute black and white dress.

Kristian makes a surprisingly tasteful exit, wishing Luke the best. But then… Luke follows her out. What??!?! Is this some “Bachelorette”-style twist? No, he’s just worried about her feelings. Aww, he hugs her more and tries to reassure her.

The outdoor goodbye is more mucus-y and hyperventilate-y, on Kristian’s part. She feels bad because she told a man that she loved him, and he didn’t feel the same way. (Not to be mean, but… it happens.)

“I actually feel bad for Kristian,” Roomie says. “I take back my cruelty. She was really sad.” (But also… she was crazy in love with him, emphasis on the “crazy.”)

Next week: Malissa thinks she and Anna are the best matches for Luke. Mandy doesn’t want to be second to Malissa.

Luke meets the families. He asks Malissa’s sister, “What if I proposed to your sister?” Okay, now I’m thinking that Malissa is going to win. Especially because she got the coveted solo date this week. But… you never know. Last week I thought it would be Heather.

Even though Luke said he was confident about his eliminations, I’m surprised to see Heather go. We’ve barely seen Anna or Tali interact with Luke, so I’m kind of shocked that they’re in the top four.

Next week, only one girl will be eliminated. My bet’s that Tali or Anna will be leaving us, unless Mandy is still in the jealousy rut.

But, honestly… whatever. This was my least favorite week, so far. Step it up! (When’s the bouquet-related assault?)

And now back to my Jennifer Weiner book. (More to Love!)

xoxo…

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Snack of the Afternoon, 8/26/09: LANGER’S APPLE JUICE

August 26, 2009
Appa joos!

Appa joos!

Apple juice is so satisfying to me, and I think this must be a result of childhood experiences. Because it’s basically apple-flavored sugar water, and can’t possibly be as delicious as I think it is.

I got this out of a cooler at our table read, and drank it with the utmost of caution. Somehow these bottles have water trapped in every crevice. If squeezed, water leaks everywhere.

Of course, apple juice is most delicious when sipped out of a box, through a tiny, tiny straw.

xoxo…


Snack of the Afternoon, 8/25/09: COLD STONE CREAMERY ICE CREAM CAKE

August 25, 2009
Too. Much. Cake.

Too. Much. Cake.

What can I say? We had lots of birthdays in our office this fortnight.

The cake was pretty, but the flavor was so-so (I don’t think it was really red velvet, even though it was red). Let’s just say that when it comes to ice cream cake, I’m still a Baskin Robbins devotee.

Also, that generic Kit Kat thing on the top was so stale that I had to run out of the room and spit it out.

That was our last August birthday, and hopefully the end of this cake streak. Too much of a good thing!

xoxo…


Mad-cap: MAD MEN Episode 302

August 24, 2009
Peggy keeps her game face on in a world of men.

Peggy keeps her game face on in a world of men (not from 302, but close enough).

Episode 302, “Love Among the Ruins” Air Date: 8/23/09

The episode opens on that famous BYE BYE BIRDIE clip of Ann-Marget singing to the camera. (If you haven’t seen this, you must. I played Mrs. Peterson in old lady drag when I was in high school.) Big Gay Sal makes a few comments about having seen it on Broadway. Of course.

(That’s all for Sal this week. I guess he needs a break, after last week’s sexcapades.) (But what we lose in Sal, we make up for in Roger Sterling, who was barely there last week. He’s hilarious, in a sad-clown way.)

Pepsi is developing a diet drink “to help women… reduce.” It’s called Patio (woof), and they want to copy this scene in their ad. Peggy isn’t thrilled. “I understand why you like this, but it’s not for you,” she says. “I’m the one who’d be buying Patio.”

“You’re not fat anymore,” Harry Crane (glasses) points out. HA! That’s not what she meant, Harry. (And also, she was pregnant… although I’m not sure how many of her co-workers are really aware of that, other than Don and Pete.) (Neither of them are in this meeting. Still no Peggy-Pete interaction.)

Ultimately, Ken admonishes Peggy not to be “a prude.” Ugh, I’m such a Peggy. My heart is sad.

The family Draper. “We’re out of Melba toast,” Betty pouts. “Jesus, Betts,” Don replies. “Have some oatmeal. That baby’s gonna weigh a pound.” Ha! The kids don’t want to go to “Terry Town” (?) to look at antiques and decorating stuff. I totally understand that sentiment. When I was a kid, I HATED going to places like Crate & Barrel. (I loved collecting paint and tile samples from Home Depot, though. The colors!)

Don’t fret, kids. Afterward, you’re going to Carvel! (We don’t have Carvel in California, but I understand that it’s an ice cream store specializing in a cake known as “Fudgy the Whale.”) (Don’t cry for us, we have Baskin Robbins.)

Okay, so the Pennsylvania Railroad Station is scheduled to be demolished to make way for the new Madison Square Garden, and New Yorkers are not pleased. Long story short: Sterling Cooper’s finest spend the whole episode winning the account, and at the end Pryce gets a call from London commanding that they turn it down, due to a “conflict.”

Also, London is sad because they lost Campbell’s Soup, Great Britain. Is the London office failing? Cooper throws up his hands and walks out. Whatever! Pryce admonishes Sterling and Don for letting it fall through the cracks. Don protests that he doesn’t set the meetings, while Sterling wanders around Pryce’s office. “You ever get three sheets to the wind and try that thing on?” Sterling asks, pointing to the knight get-up that’s on display in Pryce’s office. HA!

Don and Pryce go out to dinner, accompanied by their wives. Betty is waiting for Don in the office and Sterling greets her warmly, but in return he gets an icy, “How are you, Roger?” She’s obviously on Team Mona (Roger’s ex-wife). “It’s not hard to adjust to happiness,” Rogers zings back. Of course, Joan (Roger’s secret ex and true love) is standing right there, and they share a LOOK. “Goodnight Mrs. Harris,” he says as she walks away. (Her fiance’s last name is Harris.)

I forgot to mention, turns out that last week there was a line about Sterling’s new Greek acquisitions. Turns out that during hiatus he married secretary-Jane and honeymooned in Greece.

At the dinner when Mrs. Pryce asked how long the Drapers have been together. Simultaneously, Don says “ten years” and Betty says “nine years.” Oops. Mrs. Pryce misses London. “But what we lost in London, we gained in insects.”

Don and Betty drive home in the car, and I’m worried that she might barf again, a la last time I remember seeing them in the car. But tonight’s barfery was confined to “True Blood.” Don can tell that Peggy is upset. “Tell me now, not three seconds after I’ve dosed off,” he says. Don, you’re messing with female strategy! Betty found out that her father’s girlfriend (Gloria) left him. They cancel the “Terry Town” trip and invite Betty’s father and her brother’s family up for the weekend.

Roger’s ex-wife (Mona) and wedding-planning daughter (Margaret) visit his office to go over some wedding details. Mona is none too pleased with his naked (male) Greek statue. Margaret told her fiance (Brooks) to come late, and takes the alone-time to tell Roger that she doesn’t want new-wife Jane at the wedding. “I didn’t want to go to her wedding, but I did. The least she can do is not come to mine… seeing her on my wedding day is gonna ruin it. She’s young enough to be my sister. How does it look?”

Mona tried to strike a compromise by banishing Roger and Jane to some less-desirable table. Also, she already has a date to the wedding. She’s not exactly boo-hooing into her handkerchief. (Fun fact: Roger and Mona are married in real life.)

Brooks enters and saves Roger from further squirming. We find out that their wedding date is November 23, 1963. UH OH. The Kennedy assassination was November 22, 1963! (Oooh, that’s going to be a great episode, if we see it.) (Maybe that will be the finale, since apparently it’s May-ish now.) (There’s a Maypole at the end of this episode.) (That’s not a euphemism.)

Okay, we already covered the Madison Square Garden thing, but Pryce tells Don that the MSG people want, “A Cyrano de Bergerac, to make New York fall in love with them.” I can’t pass up an opportunity to appreciate a Cyrano de Bergerac reference.

Another condensed plotline for you: Betty’s father (Gene) and brother (William) arrive, et al (William’s wife, Judy, and their kids). William wants to sell his house and live in Gene’s, and put Gene in a home (or keep Gene in the house under his wife’s care). Betty is unhappy with that idea, and it’s decided (through Don’s vaguely threatening insistence that William make this look like William’s idea) that Gene (and his Lincoln) will stay with the Drapers, and Gene’s house will sit untouched (I don’t really get that part, but… that’s what Betty wants).

Gene does some things to show us that he’s a little off: Buys a sandwich for long-gone Gloria, and dumps the Draper’s alcohol down the sink… because he thinks it’s Prohibition? Uh oh. (Also, annoying. Alcohol doesn’t grow on trees!) (Maybe it does. I don’t know.)

Peggy watches Joan charm some visiting men in the office lobby. Poor Peggy.

Pre-MSG lunch, Sterling complains to Don that Mona’s “pouring poison” in Margaret’s ear. Nice little tip of the hat to “Hamlet.” (Even if it wasn’t intended.) (It was probably intended.) Something is rotten in the state of Sterling Cooper. (Or in the city of London… what’s up with the London office?) (Or in the family of Draper.) (Insert anything that’s possibly rotten here.)

“I blame Mona,” Sterling says. “All of a sudden I could give two craps about that wedding. All I want to do is win.” Sword fight! Poison blade. Go!

The MSG guy doesn’t want to eat a full lunch with Don and Roger, and Roger protests, “Edgar, please. Eat our sweetmeats. Drink our wine.” Also very Shakespearean, don’t you think? (And hilarious.)

Don tells that change can be a joyful dance. (This might help to interpret a later scene.) “If you don’t like what is being said, change the conversation.” (Don applies this principle when he cuts off Betty’s circuitous dialogue with William and just tells William what needs to be done.)

Don comes home from work and finds Gene in the guest room. “Thanks for the ritzy accommodations,” Gene snarks. “You’re an Army man, Gene,” Don replies. “Grab your socks and… grab something.” This must be an old Army joke (Don’s an Army man, too), because Gene cracks up.

Don enters the bedroom, where Peggy’s reading. “Lights out at eight fifteen, I’m impressed.” WHAT? Betty tells Don that he ought to have hung up his sooty coat downstairs. Nice to see you, too, Betty. I know Don’s not always the greatest husband, but Betty is… so cold. Don doesn’t seem to mind, because he knows that Betty is upset about her dad.

In the middle of their William-wants-the-house discussion, Don opens the bedroom door and yells, “Cut it out!” I can’t tell if it’s the kids jumping on the bed or what. It must be something in the sound design, but it didn’t come across on my TV. (I also had a fan blasting, so that’s half the problem.) (It’s hot in hurr.)

William and Judy have to sleep in bunk beds. William seriously looks like a kid, tucked into the top bunk between cowboy sheets. William recounts that “Don had nobody [from his family] at their wedding. Nobody at all.” Aw, that’s sad. (Of course, he’s living under an assumed identity and his real family sucked, but still… sad.) Judy wants to move in with Gene, but William already works for him, and doesn’t want to be under his father’s thumb all of the time. He’s a thirty year old man!

It’s so crazy that in 1963 the majority of 30-year-old men were like William, with a wife and kids. Most of the 30-year-old men I know are… like, just getting out of grad school, and single. I mean, there are surely many Williams out there, but… wow. In my view, times have changed.

Peggy is at home, lonely as usual. Brushing her hair in the mirror, she breaks out into a spontaneous chorus of “Bye Bye Birdie,” trying to imitate Ann-Marget. She takes a beat, regards herself soberly in the mirror, looks down, then continues brushing her hair. It’s funny and sad.

Don is really pissed about the news that the Madison Square Gardens account is being turned away. What about the World’s Fair? And at least 30 years of solid business through all of the ventures associated with the account? “Who’s running this place?” Don asks. “Why the hell did you buy us in the first place?” “I don’t know,” Pryce replies. At least he’s honest.

Peggy comes in on the heels of the bad news, unhappy with Sal’s Patio storyboards. “Yes, everyone wants a drink that sounds like a floor,” Don says, with a heaping dose of sarcasm. Don hasn’t seen BYE BYE BIRDIE (“You really haven’t seen it? You’ve seen everything.”), so Peggy runs the reel for him.

“Don’t you find her voice shrill?” Peggy asks. “She’s throwing herself at the camera,”Don says. “She’s pure. She makes your heart hurt.” Ugh, Don. I’m such a Peggy right now. “No one seems to care that it speaks to men,” she says. Don says that the ad will be saying, “Look how happy I am when I drink Patio. I’m young and excited, and I’m desperate for a man.”

Peggy makes a face. “I know what the fantasy is, but… shouldn’t it be a female one?” “Peggy, I know you understand how this works,” Don says, making a don’t-be-stupid face. “Men want her. Women want to be her.”

Peggy: Even if that’s true…

Don: It is. I’m sorry if that makes you uncomfortable.

Peggy points out that this would feel phony, in a movie or a play. “You’re not an artist, Peggy,” Don states, standing up. “You solve problems… Leave some tools in your toolbox.” I think that’s his nice way of saying, The more you protest this, the worse it makes you look.

I think that Peggy just wants to be reassured that there are men out there who are looking for a girl who’s a little more Peggy, a little less Ann-Margret. I have SO been there.

Roger jumps into a crowded elevator and ends up standing next to Peggy. (Love her sort of Girl Scouty brown hat and her coat, though I’m not sure what to call the color… seafoam?)

Roger: Heading home?

Peggy: Yes.

Roger: Let me ask you something. You’re a young girl.

Peggy: Excuse me?

Roger: You’re the only one around here who doesn’t have that stupid look on her face.

Peggy: What does that mean?

Roger: What would your father have to do for you to not want him at your wedding?

Peggy: … My father passed away.

Roger: There you go. He didn’t do anything. (Conversely, the last line might be, “You’d do anything.” Hard to tell.)

There’s something really hilarious about this exchange, because you can tell that Peggy is thinking, WHAT is he getting at?

Peggy gets off the subway in Brooklyn (I think) and gets into a crowded bar. She says “hello” to a group of people who don’t acknowledge her, and gamely keeps walking. She’s so self-conscious, and nobody else is there alone. The coat is off, and she’s wearing a lovely blue dress (she was probably wearing it before, but it stands out more in the bar).

Finally she squeezes up to the bar next to two men. “It’s so crowded in here, I feel like I’m on the subway,” she says, smiling. The guys laugh. “Where’s your drink?” one of them asks. He has a slightly nasal sort of outer-boroughs accent. Actually, he kind of reminds me of Michael J. Fox in BACK TO THE FUTURE.

Can I just say… men in suits and women all dressed up in tasteful dresses? I wish today’s bars looked this appealing (minus the smoke). Every guy looks better in a skinny tie. You had me at skinny tie!

Don comes home to find William plunging the sink, Judy setting the dining room table, Gene playing solitaire at the kitchen table, and his children and nieces watching TV. Having viewed tonight’s “True Blood” before this, I would say that a family house-takeover is definitely preferable to a maenad house-takeover.

Betty comes downstairs, looking tired. “I’m going out for a bucket of chicken,” she tells Don. This makes me laugh because A) I don’t know if we’ve ever seen the Drapers eat takeout, and B) because the phrase “bucket of chicken” is part of a rather funny story I once stumbled across. I also can’t imagine Betty eating fried chicken. She’s all about the Melba toasts.

Betty: I’m a horrible daughter.

Don: No, you’re not.

Betty: William says these are the options– they put him in a home, or they move in with him and Judy is his nurse. Judy.

Don: William says?

Betty: He’s probably right.

Don: (yells) William! (to Betty) We’ll get the chicken in a minute.

William puts the plunger down in the hallway (ew) and Don leads him into the study. “Jesus,” William says, spotting a globe. “What year is this from?” “I don’t care,” Don says, closing the door. “Look, Don,” Williams says, all palsy. “We’re all upset. One thing I’ve learned from this: Don’t get old.” True story. Anyway, Don gets all serious and lays down the smack-down. He’s like, Gene’s staying, the Lincoln’s staying, Gene’s house remains untouched.

“You’re gonna go out there and you’re gonna tell your sister that this is what you want. We’ll pretend that you did the right thing on your own.” Don tells them to get home sans Lincoln by taking the train. “New York Central, Broadway limited leaves from Penn Station. It leaves in two hours.” Wait, is that the same Penn Station that Madison Square Garden is supposed to replace? Isn’t it still there? I need to do some Wikipedia-ing.

Don sits down with Gene and triumphantly reads the paper while William delivers the news, MOS (without sound). Don is totally Peggy’s hero right now. William, Betty, and Judy deliver the news to Gene, but play it like he’s just going to take an extended vacation at Chez Draper.

Gene: So the animals are running the zoo.

William: We’re not selling the house. And you’re gonna have your car.

Gene: The plans, the plans– the plans you make.

Judy: You know you want to get out of town. You’ll be with the kids. Betty is a better cook, you always say that. (Ugh, poor Judy.)

Gene: I should have been the first to go.

It’s too soon to quote “The Who,” (because they’re not around yet), but “Hope I die before I get old” is probably one of the more genius lines ever written.

If I were Betty, I would have been totally relieved to have William take care of the dad stuff, but I guess Betty felt like a bad daughter because women were supposed to be the main caregivers? But I feel like Gene’s house is going to fall to decay, and what’s the big deal if William and Judy live there? Does Betty think that it will mess up her inheritance?

Whatever. Let’s see if Peggy’s having a good time on her date.

She’s drinking a “delicious” drink called a Stinger. Her date doesn’t know what’s in it. He reminds me of some actor, but I’m not sure who. Definitely a mix of George and Marty McFly, though. He is scarfing down a burger with great zeal.

Date: I’m graduating from Brooklyn college next month.

Peggy: What are you studying?

Date: What?

Peggy: (louder) What are you studying?

Date: (re: his french fries) You want one?

Peggy: I’m afraid you’re gonna bite my hand.

Date: I’m sorry. I just need to eat. My mom says I’m still growing. I gotta work on my manners. I started pre-law but switched to engineering. More jobs.

Peggy: Really? Those are so different.

Date: You’ve gotta figure, if we’re all gonna be replaced by machines, might as well be the guy that makes them, right?

Peggy: Or you could just become a robot.

The Date asks Peggy what she does, and when she tells him that she works at an ad agency, he assumes that she’s a secretary: “I don’t know how you girls do all that typing.” She doesn’t correct him. UGH, this guy is cute but it’s almost impossible to date someone who’s still in school if you’re working in the real world. AND she’s playing dumb about her career. So… I’m not seeing a long-term scenario with this guy.

“I work for a jerk!” Peggy tells Date, and I wonder if she’s referring to Roger or Don. Date’s friends are leaving, and they ask if he has cab fare. “What are you talking about?” he responds. “I live around the corner.” “Oh that’s right, he does,” the friend says, and Date looks nervous for a second. He totally lives with his mom.

After the friends leave, Peggy intercepts Date’s burger and takes a bite, covering her mouth with her hand as she chews. “You’re funny,” he says. And you’re kind of simple, Date, but you’ll do.

Peggy and Date make out on the couch (I think it’s her place, but it turns out that it’s his… must be borrowing it from a friend, a la THE APARTMENT). Peggy asks the guy if he has a Trojan, and he says, “No.” Wrong answer. Since the baby, Peggy’s hyper-careful about birth control. (Duh.)

As soon as sex is out of the picture, Date says, “Jeez, it’s getting pretty late.” Smooth. “Well, there are other things we could do,” Peggy says. And they go back to making out… which they were already doing. Presumably they move on to do something that rhymes with “moral.”

Can I just say how impressed I am by the fact that I never see these people as modern-day actors wearing 1960s clothes? It feels like going back in time, and everyone– from Don Draper to the background actors– feels authentic. (It’s also really crazy to see pictures of what these people usually look like– especially Pete Campbell.)

Don and Betty find Gene pouring the alcohol down the sink… we covered that. So he’s a little bit senile, after all.

In the middle of the night, Peggy wakes up on date’s foldout couch, gets dressed. Date obviously wants to see her again. “You know, I hang out at that place a lot.” In a world before cell phones and Facebook and email, it’s so strange to imagine Peggy walking away without any of his contact info. But I don’t really think she wants to contact him again, anyway. “This was fun,” she says on her way out.

Peggy’s gonna be a playa this season!

I guess it’s May? Randomly, the Drapers are at a “field day,” watching Sally dance around the Maypole. Actually, Don’s watching the teacher, a brunette woman in a white sleeveless dress with a flower wreath in her hair. And watching her, and watching her. In slo-mo. With violins. Don runs his hand through the grass. Is he getting an idea about Patio drink, or is he getting hot for teacher?

“Cindy’s dad” takes a pictures of the Drapers and Gene. Happy family!

At the office, Don stops outside of Peggy’s door (her office is next to his). She’s typing, but she turns around and they share a Look. (Also, it’s strange to me that she faces away from the door when she writes. I don’t know anybody who feels comfortable with their back to a door. Leaves you open to a surprise ambush.)

Peggy exits her office. “Do you want to talk about Pampers?” Exciting stuff! She walks into his office, sits down, and… episode over.

Next week: Drama. Ooh, Joan fights with her fiance. Break up with him!

And now (sadly), I’m going back to the future!

xoxo…

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